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- [Jodie] Hey, it's your weekly insight into the world
of your favorite actors and actresses.
I'm Jodie Halifax, and this is the "So and So Podcast".
(car engine turning on)
(tense gentle music)
(gravel crunching)
(tense gentle music)
- [Lake] Have you ever felt that you did something,
an experience you dreamt up?
No visible proof, no consequences,
but the scar left behind still haunts you.
You keep repressing what you thought happened
or didn't happen.
Let us suppose we're just dreaming
and none of what we dreamt is true.
Does the trauma of the memory hold power no matter
what the truth?
(tense gentle fading music)
(birds chirping)
(engine gently rumbling)
(birds chirping)
(phone vibrating)
(birds chirping)
(chain link fence rattling)
(birds chirping)
(tense chord)
(knocking on door)
(birds chirping)
- Yes?
- Hi, my name is Lake Reed.
We were on the phone about the interview
with Ms. Corin Abel.
- Oh, I remember turning you down.
- No, yes, yes you did.
I just thought that maybe she would like to reconsider.
- Miss Abel's not interested in speaking with anyone.
Wait a minute, how did you get in, the gate's locked?
- I jumped the gate.
- Well, I'm not well versed in criminal law,
but that sounds a lot like trespassing to me.
- No, I wasn't trespassing.
Okay, look, I just wanna interview.
I heard they're remaking her film "Wake",
and I don't know, I just thought that--
- What, you thought what,
that Ms. Abel, who hasn't been in the film business
for so many years, wants anything to do with the new movie.
Gosh, why don't you people give this up?
I mean, this is the second time someone's come
to the house feeling entitled to a tell-all interview
with Ms. Abel.
- Second time?
- Yeah, but the difference is the first girl
respected boundaries and you might wanna work on that.
(door thunking shut)
- Nice try.
(gentle tense musical note)
(birds chirping)
(tense instrumental music)
(metal creaking)
(tense notes)
- Lake.
What are you doing?
(tense chords)
(door creaking)
(door thunking shut)
- Ms. Abel?
Hi. Sorry.
I didn't mean to come in like this,
but I'm sure your housekeeper already told you,
I'm here for the interview.
I brought a gift.
(door clicking open)
- I told you to leave.
- Yes, yes, but--
- Alright.
- What are you doing?
- Well, if you won't leave,
perhaps a police officer will be kind enough
to escort you off the property.
- No, don't call the police.
I just need an interview
- And I told you Ms. Abel is not interested.
- Okay, well, then I would like to hear it from her.
If she tells me to leave, then I will.
But if you let me stay, I promise to give you
a chance to tell your story.
- Well, there's your answer.
So you can take your flowers and leave.
Oh, and I don't expect you'll need me
to open the gate for you.
You jumped in.
You can most certainly jump back out.
- What's your name?
- Lake Reed.
- Pleased to meet you.
- Well, I'm sure you've heard
that they're remaking your film, "Wake".
- So what station did you say you work for?
- Oh, it's an online company.
- What I'm asking is the name.
- Tabby.
- I'm sorry, ma'am.
I just wanna check if Ms. Reed is who she says she is.
We can't just let any stranger into the house.
- Yeah. Okay.
- Luxem Media?
- Satisfied?
- Far from it.
- I hope you can forgive Tabby.
She doesn't have a lot of experience with people.
- I'll try 30 years with you, ma'am.
(chuckling)
- You know, I suddenly feel a little underdressed
for the occasion.
- I don't mind.
- Oh, I do mind.
- Tabby, will you show Lake into the living room?
You can wait there while I change.
(sighing)
(lively children's music)
- [Mickey] Now, everybody sing.
Ready? Go.
(singing faintly)
(phone ringing)
- Yeah.
- [Man] Hi, is this Mr. Reed that I'm speaking to?
- Yeah, what do you want?
- [Man] Yeah, I'm calling from Open Health
about the past-due bill.
- I'm sorry, say that again.
- [Man] Yeah, I'm calling from Open Health
about the past-due bill.
I'm afraid we're gonna need minimum payment today.
- I'm sorry, I just, I don't have the time.
(phone clattering)
(faint lively singing)
♪ When I hear my little Minnie ♪
♪ Yoo-Hoo ♪
(car door slamming shut)
(engine rumbling gently)
(singing faintly)
(tense music)
(hoarse breathing)
(door creaking open)
(wheelchair clattering)
- Isn't this Theodora's dagger?
This is worth a lot of money.
- [Corin] The real one is, that's just a replica.
A prop master made about 50 of them,
handed them out to fans and fans alike.
- It's beautiful.
- [Corin] I warn you not to touch it.
The blade is beyond sharp.
I must apologize for what Tabby said earlier.
You're flowers are far from deathly.
- Oh, I'm sure Tabby didn't mean it.
- It's Tabitha to you, miss.
- I'm sure Tabitha didn't mean it.
- Tabby, will you put the flowers in a vase
of water, please.
- Yes, ma'am.
I think it'll help brighten up the room.
- Oh, and bring Lake a a nice cup of tea.
- [Tabby] Will do.
- Please.
(suspenseful music)
How long have you been a reporter?
- I'm not a reporter.
I'm a digital journalist.
- Oh, wow.
How long have you been a digital journalist?
- Six years.
- You enjoy journalism, interviewing people
from all different walks of life?
- Yeah, yes, yes, yes.
- That doesn't sound reassuring.
- I love what I do.
- I'm surprised from what Tabby told me,
I was expecting a little more tenacity.
Are you going to ask me any questions, dear,
or should I be the one to start?
- [Lake] I guess my first question is,
how did you become an actress?
I mean, particularly, how did you land
the lead role of Theodora in "Wake"?
It's famously known that
after seeing your audition,
the director Cassie Wright on the spot, giving you a role
that would lead you to win Academy Award.
I mean, you beat almost a thousand actresses with,
what was it, a three minute monologue?
How did you do it?
- "Wake" was a lifetime ago.
My memory isn't as good as it used to be,
but everything about "Wake" I remember clear as day.
(phone beeping)
- What is this?
- [Corin] Just a homemade mixture of dried herbs
and flowers, mostly hibiscus with a hint of lavender,
among other things.
- Other things.
- [Corin] Ask Tabby for the recipe before you leave.
Brewing tea's more her specialty than mine.
I just drink them.
- [Lake] It's lovely.
- [Speaker] Give me a sec.
- Thanks.
- [Speaker] Hello?
- Yes, yes, I'm still here.
- What happened to your hand?
- I've had this for as long as I can remember.
- Okay, before this interview goes any further,
I think it would be in Ms. Abel's best interest
to know who you really are.
And don't act like you don't know what I'm talking about.
I was just on the phone with Luxem Media.
You don't work there, do you?
- My name is really Lake Reed,
but I'm not a journalist.
- [Tabitha] See, what did I tell you?
No one is really who they say they are.
- [Lake] I'm an actress.
- [Tabitha] Oh, geez.
- An aspiring one.
I've done a few commercials and a student film.
- Hardly counts.
- Look, I just really wanted to meet you.
- What for?
- She wants the lead role in "Wake".
- My agent booked me in audition for tomorrow morning.
- Okay, no offense, but you could hardly play
the role of a journalist.
What makes you think you can play a lead?
- I don't.
I just thought that maybe you could,
you know, call the casting director
and make a few phone calls and...
- What exactly would I say to the casting director?
- Oh, well, I'm not sure. I just thought that maybe you
could pull a few strings.
- You climb over the gate,
you pester your way into this house,
and now you pose as a journalist all for a movie role.
- I'm afraid I won't be making any phone calls
to any casting director.
I haven't been an actress for a very long time,
and frankly, I don't see why you would want me to,
as you say, pull some strings.
It's just on the list.
- I need this role.
- I can't get the role for you.
I can show you how to get it for yourself.
- I don't know what that means.
- I'm not offering to make any phone calls.
What I am offering is much more valuable.
I will teach you the one technique
that got me the role of Theodora.
- Your technique.
- You said it yourself,
I was cast on the spot with just one three minute monologue.
Now what the world and you don't know is the frame
of mind I had to acquire before I even spoke a single word.
Of course you're free to decline my offer...
- No, wait, do you really mean it?
- [Corin] Oh, dear, I always mean what I say.
Should I take that as--
- Yes, yes, yes.
Thank you so much, Ms. Abel.
(tense notes)
- In my day, we had a technique developed
by Constantine Stanislavsky.
It was a method whereby the character
could be more accessible to the actor:
Get into the character's mind.
And that way the audience watching, the director watching,
while even the camera's rolling,
will believe that you are the character.
- What do you feel when you think about Theodora?
- Sadness, I guess.
I mean, for an example,
she kills herself to escape her depression,
to escape the pain of her life.
I guess that's one interpretation.
Some people find it inspiring.
How would you access that sadness?
- Well, I would think about being sad
and all the traits of being sad,
like frowning and crying.
- Well, that's your second mistake.
No amount of physical traits would add the least bit
if you don't properly feel the emotion.
You don't act sad.
You are sad.
In the moment, you allow the sadness to fill your heart
until you can no longer feel it beat.
- Okay, I have to be sad.
Got it.
- In order for you to really feel it, see as she sees,
think the way she thinks, or breathe the way she breathes,
you have to find the darkest moment in you.
- My darkest moment?
- When you felt the most despair,
the most fear, the most desperate for everything
to be a faint dream.
How old are you, dear?
25, 26?
- I'm 28.
- Well, in those 28 years,
I'm sure you had your share of moments.
Surely there was at least one that was dark.
- I don't think talking about my darkest moments
is actually necessary.
- Oh, well, I am the only person
that Theodora currently inhabits,
and I truly believe the only way
that you will embody Theodora is if you take yourself
to that darkest place that I know is within you.
- Well, what if I don't have one?
- Oh my dear, everyone has a darkest moment.
You asked me how I got into acting.
What I would like to know is how did you,
- I wanna feel something else.
Something that I've been feeling my whole entire life,
something different.
And in order to do that, I have to pretend
to be somebody else.
- Well, that is your first mistake.
When you act, you don't pretend to be someone else.
You are someone else.
Are you okay, dear?
What's the matter?
Do you mind if I just use your restroom?
- Of course.
(tense notes)
(phone vibrating)
- Hello.
- [Michael] Thank God I was about to start looking
in the obituary for your name.
Did you read any of my emails?
I guess it doesn't matter now that I got you.
- Yes, I haven't had the chance to look at them.
- [Michael] Look, Lake, we've been together,
what, five, six years,
and I've gotten you at least over a hundred auditions.
And hey, I'll admit, you commit.
I mean, you really do.
You've never missed a single audition, but well--
- Just say it.
- [Michael] You're just not there.
Your acting, I mean
Every time I send you out,
they're always saying the same thing.
She's just not there.
And like, I'm not trying to hurt your feelings,
but you can't run from the truth,
and the truth is, I've gotta let you go.
It's not just the acting.
Are you taking care of yourself?
I mean, the fainting.
- Okay, but that's besides the point.
- [Michael] What's the point, Lake, tell me,
because I'm sitting here in my office right now trying
to think of reasons I shouldn't let you go,
and honestly that--
- Okay, I'm going to get the lead role in "Wake".
- [Michael] I've already pulled your name
from that audition.
- Then just rebook me. - [Michael] I don't know.
- Just do it.
Please, Michael, listen,
I'm inside her house.
- [Michael] What are you talking about?
- Corin Abel, I'm inside her house.
- [Michael] I don't know what kind of prank you're playing.
- I'm not playing.
I'm in this really weird room with all
of these strange uniforms,
probably costumes from her movements or something.
- [Michael] What?
Oh my, you're really are inside of her house right now.
What in the, how did you, do I even wanna know?
- She invited me
- [Michael] One of the most revered actresses,
an Academy Award winner.
Why would she just invite you?
- I have too much on my mind to be offended by that,
but it's a long story,
and the short of it is that she's gonna help me
with my acting.
I'm serious.
So just rebook me for the audition tomorrow.
- [Michael] I don't--
- Please. I'm begging you.
- [Michael] We'll give it one more shot.
- Okay, that's all I need.
(tense notes)
- [Jodie] There we go.
- [Corin] Is it recording?
- [Jodie] Yes.
- [Corin] Tabby, bring Jodie here a nice cup of tea.
- [Jodie] Oh, you don't have to.
- [Corin] Oh, please.
It's a pleasure to see you.
- [Jodie] Thank you, Tabitha.
- [Tabitha] No, you can call me Tabby.
- [Corin] How long have you been writing biographies?
- [Jodie] About seven years.
(tense notes)
- Hey kid, is this the Reed house?
Your parents' home?
Could you go get 'em?
- Can I help you?
- Yeah, I got the medical bed you ordered.
- Oh, yeah, pull up in the driveway.
It's supposed to go in the basement.
- What's going on?
- Mom's not feeling good.
We got her new bed to make her more comfortable.
(tense notes)
- [Man] Then who killed Kirk Robin?
- [Woman] I don't know.
- [Man] Didn't you attack Robin?
- [Man] I object, your honor and ask that the last question
be stricken from the records.
It is merely an attempt to influence this intelligent,
broad-minded and most intellectual jury.
- [Judge] Objection sustained.
- [Man] Thank you, your Honor.
That is all.
(tense notes)
(tools clicking)
(door creaking)
(tense notes)
- I'm sorry, I hope I didn't take too long.
- Are you feeling better, dear?
- Excuse me?
- Nerves, was it?
- Yeah, yeah, just nerves.
- For the next technique,
would you like the candles for me, dear?
- Yes, of course.
- [Corin] I assume you've prepared yourself for the role.
- Yeah, I have the script in my bag.
- [Corin] You don't know it by heart.
Her final monologue, dear, you do know it.
- Yes, it's right before she kills herself.
(tense notes)
(tick-tocking)
(tense notes)
(tick-tocking)
(tense notes)
(flames whooshing)
Did you say something?
(tense notes)
How fun for me.
- In the early hours of the morning,
the most peculiar dream came to me.
I was in an ocean all alone, just me.
I kicked my legs to keep myself afloat.
So cold and alone, I looked as far as I could,
but there was no land in sight.
The water splashed against the sides of my face,
and then my arms and my legs grew heavy with exhaustion.
And that's when I began to sink.
Terror struck me like lightning.
This was it, I thought.
My death had come upon me.
It wasn't until the fifth time my head went under
that I realized I could still breathe.
Yes, yes.
The water filled my mouth and filled my lungs,
but I was still breathing.
How is this...
How, how,?
- How is this possible?
So I sank farther and farther down to the depths
of the ocean, so far and so deep till the sun
could no longer reach me.
I became this, this insignificant pain,
this speck of life just,
just floating ocean.
I wasn't dead, I knew that, but I wasn't living either.
I was just there squandering in the ocean.
Dark spaces.
Dark ocean.
My dark ocean.
And how did I think about it,
and it wasn't a dream after all.
(sniffling)
- I'm disabled.
I mean, Corin, That was amazing.
That was more than amazing.
That was brilliant.
If only I can act with like 1/10th of your talent, then--
- Not 1/10th, my dear, all of it.
When you recite this monologue,
it will be as if I am speaking the words.
(drawer sliding open)
(drawer sliding shut)
(tense notes)
(faint chatter on television)
- [Character] Mom, dad, everyone, (indistinct)--
(static buzzing)
(faint chatter on television)
(static buzzing)
(tense notes)
- Look at me, I can already see Theodora's darkness
in your eyes.
It is beautiful.
To become a character, you have to fuse every fiber
of its being into you.
Like a dual mind.
I assume you already know my story.
- [Lake] Bits and pieces.
- It was six months after the release of "Wake".
The producers were very surprised it was a success,
a sleeper hit.
I just got an academy award.
I mean, it should have been the highlight of my life.
Then the crash happened.
Well, my agent was in the passenger seat
and he died instantly.
- Oh, I read that a deer came out onto the road
and he swerved to not hit it.
- Oh, that's what I told the police.
Before the crash, there was this cloud in my head.
I wasn't living, not really.
Fame and fortune are strong and powerful things.
They're just superficial.
I don't know what it was,
if it was the lights, the camera.
This cloud was always in my head.
Even when it was quiet, there was no sun.
And when it rained, it rained really hard.
Close your eyes.
I'm gonna take you back to my darkest moment.
Everything was black.
I could hear the sirens in a distance.
They were murky, like,
like a dream right before you wake up.
There was nothing outside of it.
Nothing above it. Nothing below it.
Just in my head with the cloud.
I must have lost consciousness
because all the sounds disappeared,
and when I woke up, I was connected to all these machines.
I couldn't move.
And a doctor and two nurses came in.
I could hear my heart pounding in my chest
as they got closer.
Finally the doctor broke the news to me.
I was paralyzed from the waist down,
that I would never walk again.
I tried to convince myself it was a cruel joke,
that it wasn't real.
I was dreaming.
I kept telling myself, wake up,
Wake, wake.
This isn't real.
Wake.
But I didn't.
I was still in the bed and I couldn't move.
My legs were like hugs.
(stuttering and sobbing lightly)
- Corin?
Corin?
Tabitha!
She was talking about her accident, and then I--
- All right, just go wait in the foyer.
Just do it. Go.
You're okay.
Corin, I'm right here.
It's Tabby.
I'm right here.
You're okay. You're okay.
- [Michael] Here, I'll walk you up.
So how's she doing?
- [Woman] There are some signals I'm seeing
that mean she's getting a bit worse than my last visit.
- [Michael] So how long do you think she has?
- [Woman] She's pretty close.
- [Michael] Is there anything we can do for her pain?
- [Woman] Well, she's already on the next dose of morphine
for her size and body weight right now.
But even that will only do so much.
(speaking faintly off mic)
(birds chirping)
- [Michael] Hello
- Michael.
- [Michael] I did it.
I called the casting director.
I rebooked your audition.
I still don't see how you're gonna get there--
- Where did you get that interview?
- [Michael] I don't know.
It popped up when I got her name.
Do you know what else I found?
- What?
- [Michael] She has a fear of water,
and for her role in "Wake" they had
to build a giant indoor swimming pool that was like up
to her chest to mimic the ocean,
jacked up the production costs like crazy.
But when you got that much pull--
- About the rider that went missing, the interview says
that she never made it, but she was here at Corin's house.
- [Michael] Corin, what, are you like best friends now?
- Okay, listen--
- [Michael] What are you doing?
- Just listen.
- [Michael] Look, like I have a meeting starting soon.
- Wait, just wait.
- [Jodie] Okay. Okay.
- That's not me.
That's Jodie.
- [Michael] Who's Jodie?
- Jodie Halifax, the writer that went missing.
Michael, you have to keep up.
(speaking faintly off mic)
- Okay, what I'm trying to say is that
she couldn't have gone missing before the interview
because she was here at Corin's house.
- [Michael] Sorry, Lake, I gotta go, okay.
I'll give you a call later.
I'll give you a call, okay?
Okay.
(birds chirping)
- [Jodie] There's something going on in this house.
Corin, she's not like anyone I've ever met before.
She gets me, she really gets me.
She seems to know my thoughts even before I've said them
and says strange things,
that there was a jar, a glass jar.
It was, maybe I'm hallucinating,
but I saw, I don't know what I saw.
I thought it was my brother's watch,
but that's impossible because I lost it after he died.
But there it was.
I can't even believe my own eyes anymore.
(indistinct)
And that's the scariest feeling in the world.
I don't know what is this,
but I feel, I feel...
- What are you feeling, Jodie, what are you feeling?
- [Jodie] Stuck.
(tense notes)
(tense string notes)
(gasping)
(glass shattering)
What happened, what?
- No, I saw--
- What?
Look, it's fine.
Okay, don't worry about it.
- I'm sorry.
- Just go on in.
We don't wanna keep Ms. Abel waiting.
- Yeah, I broke something of yours.
(tense notes)
I'm really sorry.
I'll pay for it before I go.
- No, no need, no need.
What did you see in it?
- Nothing.
- You say nothing but your eyes betray you.
I'm sorry if I gave you a fright.
- I'm sorry, are you sure you're okay?
- Don't be concerned about my condition.
Tell you, having you here,
it's been the brightest spot of my day.
- You're just saying that to make me feel better.
- Oh, why would I wanna do that?
Let's say if I get the slightest headache or stomach ache
or heartache, I'll tell Tabby and we will stop
the whole thing.
(glass tinkling)
- Okay.
So the cloud in your head, was it still there
after the accident?
- Even more so, it got larger and larger.
It wasn't quite as sharp.
It was more faded, but it was still a murmur.
It kept reminding me.
- Remind you of what?
- That I was trapped.
I was still in a prison.
A prisoner in my mind and a prisoner in my own body.
Have you ever felt anything like that?
Maybe not in my body, but in my mind.
Well, you know, the cloud that you talk about, yeah,
for me, it's not really a cloud, it's more of a shadow.
- Who is casting this shadow?
- Who?
- Maybe I should ask, what is casting this shadow?
How does it feel?
- Cold, I suppose, and far away.
Very far away.
And it comes up from behind me
and kind of feel like a doll, a puppet,
and it's playing with my strings.
- [Corin] Does it follow you wherever you go?
- Mm-hmm.
- Have you spoken to anyone about this?
- No.
You're the first person I've told.
- Oh, well, then that will be our little secret, huh?
I have a secret of my own.
The very first moment I met you, my cloud disappeared.
The sun came out.
I could feel the warmth.
It was like a radiant fire.
Perhaps I can return the favor.
We can make your shadow go away too.
I wonder, what would you do if your shadow was gone?
Would you still be hopping fences
and trying to get movie roles?
- Well, I guess I haven't thought that far.
When you were telling me about the accident
and waking up in the hospital bed,
well, I could see it in my head.
It was like I was there.
I could feel it in my body,
your heart beating in my chest.
I don't know how to explain it,
but it was like I was you.
- Then the technique, it's working.
That was my darkest moment.
For you to inhabit Theodora, you need to find yours.
Can you remember it?
- I don't know if I want to.
- Oh, I will help you.
Look into the flame.
Let it purge you of everything.
(tense melodic notes)
(haunting melodic notes)
(porcelain clinking gently)
(haunting melodic notes)
- Mom?
(haunting melodic notes)
Mom?
(asphalt crunching)
(footsteps pounding)
(sighing)
(paper rustling)
(water dripping)
(water sloshing)
(wind howling gently)
(gas hissing)
(footsteps clomping)
(belt clinking)
(drawer sliding open)
(kettle whistling)
(whistling fading)
(dishes clinking)
(light switch clicking)
(dishes clinking)
(water rushing from faucet)
(tense chords)
(footsteps thumping)
- [Michael] What's that?
Lake, Lake, come on, come on.
(Lake sobbing)
- [Lake] No. Stop.
- [Michael] It's burning.
- [Lake] No, stop.
- [Michael] It's burning. I'm sorry.
(Lake sobbing)
- [Corin] Lake.
Lake
- What happened?
- [Tabitha] You fainted, Miss.
- I fainted.
Oh my God, I'm so sorry.
I only get like this when I have an audition
and I guess this is kind of like once--
- [Tabitha] You get like, what?
- I have fainting spells, but it's not a big deal.
- Have you seen a doctor?
- Well, like I said, it's not a big deal.
I only get like this when I'm really stressed.
Where's my bag?
You went through my stuff.
- Well, I'm glad I did.
Feeling nosy, were you?
- Corin, I'm so sorry.
I just thought that maybe there was some acting notes
on there or something that could help me--
- [Tabitha] Trespassing, fraud, and now theft.
Am I missing something?
- I meant no disrespect.
- Okay, I'm curious as to what your definition
of respect is.
- It won't happen again.
- Do I have your word?
- Yes.
- Then it's water under the bridge.
The moment right before you fainted, whatever you felt,
whatever was in your heart, in your mind, use it.
Use all of it, as you say, Theodora's words.
You'll be surprised how powerful it can be.
Isn't that right, Tabby.
Theodora's words, my words, will give you new life too.
Whenever you are ready, dear, perform for me.
- In the early hours of the morning,
the most peculiar dream came to me.
I was in an ocean, all alone.
- It must just be a blackout.
(haunting, tense notes)
- [Corin] Okay, there you go.
- In the early hours of the morning,
the most peculiar dream came to me.
I was in an ocean, all alone.
Just me.
I kicked my legs to keep myself afloat.
The water splashed against the sides of my face.
I looked as far as I could, but there was no land in sight.
No one in sight.
So cold and alone, I drifted about,
my arms and legs grew heavy with exhaustion.
That's when I began to see...
(haunting melodic notes)
(dishes clinking)
- [Michael] Lake?
Take this to your mom.
(haunting melodic notes)
(pained coughing and grunting)
(haunting, tense melodic notes)
(engine rumbling gently)
(vegetation crunching underfoot)
(wind blowing)
(plastic bag crinkling)
(dirt being shoveled)
(breathing hard)
- What's going on?
What is all this?
- [Corin] It brings balance.
- Balance to what?
- Oh, you shall find out very soon.
- Who are you?
- Oh, my life was taken from me,
the life I should have had.
Whereas you, Lake Reed,
you have your whole life in front of you.
Yet you let yourself stagnate, but you'll learn.
All things come to balance, and balance comes to all things.
- Is that what you did to Jodie?
Bring her balance?
- I tried to help her.
- That was her, wasn't it?
- Does it really matter?
- Tell me.
(haunting melodic notes)
- Tabby tried so hard for years
and we found Jodie.
- This is crazy.
This is fucking crazy.
- But she still had a will to live.
My mistake was thinking she was near her breaking point.
Dear, you are already broken.
(crickets chirping)
(haunting melodic notes)
Now...
- Tabitha?
(groaning in pain)
What are you doing?
(indistinct)
- Tell me!
You, you killed your very own mother.
- No.
- I've seen your mind.
- I didn't.
- Lies will not save you.
I can't imagine how painful, how pathetic it would be
to live with your past shadowing you
every moment, every breath.
But you haven't been living, have you?
No, you've just been existing.
That's right, Lake.
It's all here.
- No, I didn't!
I just didn't do anything.
(sniffling)
And I loved her so much.
- The moment you looked away, (indistinct).
And I will tell you, Lake,
You will go to sleep for a very long time.
(indistinct)
You shall wake.
(haunting melodic notes)
(coughing)
(pained coughing)
(haunting melodic notes)
(haunting notes)
- [Michael] Take this to your mother.
(indistinct)
- [Lake] No, no.
(panting hard)
(haunting melodic notes)
(upbeat music)
♪ I was faded ♪
♪ I was losing touch ♪
(phone vibrating)
Hello.
- [Michael] How'd the audition go?
- [Lake] I didn't go.
- [Michael] What do you, what are you gonna do now?
- [Lake] I don't know, the options are endless.
- [Michael] Lake, Lake, Lake!...
(upbeat music)
♪ When you call ♪
♪ I will follow ♪
♪ Where you go ♪
♪ I'll be there ♪
♪ If I die ♪
♪ Before I live ♪
♪ I'm not leaving my soul ♪
♪ For God to take ♪
♪ Because it's not his to keep in heaven ♪
♪ I want you to have it ♪
♪ To hold forever ♪
♪ It took a while ♪
♪ Let's fade away into a warmer month ♪
♪ I was losing ♪
♪ The skies refuse me ♪
♪ I cried for days ♪
♪ When it hurts ♪
♪ I will find her ♪
♪ When you burn ♪
♪ I'll see you there ♪
♪ If I die ♪
♪ Before I live ♪
♪ I'm not leaving my soul ♪
♪ For God to take ♪
♪ Because it's not his to keep in heaven ♪
♪ I want you to have it ♪
♪ To hold forever ♪
♪ If I die ♪
♪ Before I live ♪