Downloaded from YTS.MX
[chimes ring]
Official YIFY movies site: YTS.MX
[dramatic music]
[ominous music]
- [Narrator] Our story starts hundreds of years ago
when the only daughter of an 18th-century
aristocratic family, who was betrothed to Javanese royalty,
renounced everything.
Her title, her riches,
much to her family's displeasure.
She was Marshanda Damayanti, the princess pirate.
[cannon shoots]
[ball whooshes]
[ball crashes]
[dramatic music]
[cannon shoots]
[ball crashes] She fled a life
of confinement to live unchained and unfettered,
plundering the South China Sea,
where she formed a new family,
a loyal crew of women she saved from the shackles
of servitude or title.
[waves lap]
[group mutters] [swords draw]
it was on the high seas she forged a friendship
with a notorious pirate, Red Cat Morgan.
[guns shoots]
Together, they ruled the waves, becoming each other's
only true ally,
but their past was never far behind.
Victims of their ravage, hell bent on tracking them down,
wanting retribution in blood.
[dramatic music] [balls whoosh]
[ball crashes]
When her pursuers eventually closed in,
Marshanda entrusted her share of the riches to Red,
who in turn gave her a wrist device that would lead her back
to Red and the treasure.
She then headed towards the frozen waters of the Antarctic,
so desperate to escape that she went somewhere
no one would dare follow.
But tragically, her ship was lost to the ice,
lost for hundreds of years until now.
[dramatic music]
[suspenseful music]
[steps echo] [wings flap]
[suspenseful music]
[horns beep] [aircraft whir]
[device clicks]
[dramatic music]
[siren blares]
[suspenseful music]
Up here, [grunts]
Stuart, we have one of those homeless again.
[crowd mutters]
[phone rings] Get Mr. Walsh
down here immediately.
[crowd mutters]
Hey!
[man crashes]
[Marshanda grunts] [arm crunches]
Get her out of here!
[punch lands]
Get the boss! Get Mr Walsh!
[Marshanda grunts]
[glass shatters]
[kick lands]
Daddy, she's hungry, catch.
[police radio chatters]
- She did not pay for that spring roll.
- [Marshanda grunts] - Tase her, Gary.
[taser shoots] [electricity crackles]
[Marshanda grunts]
[dramatic music] [horns beep]
[ominous music]
[door opens]
Mia, Mia.
Mia.
Those toilets is blocked again,
and I've got a big meeting with this finance tosser Collins.
He's in the bar waiting right now
and the timing's terrible.
You know, sometimes I think it's a sign.
You know, sometimes I think you want me to lose this bar.
Hmm?
- Fine, I'll do it, give it here.
- Oh, I love the way you unblock a toilet.
Ew.
[door closes]
[electricity crackles] [Marshanda grunts]
Sorry, sorry.
What is,
[Marshanda speaks in foreign language]
I don't speak, I'm really sorry,
listen, I don't, I'm from Croydon.
Do you know Croydon?
[sirens blare]
You're hiding from someone, is that it?
It's going to be okay.
[police radio chatters]
Excuse me.
Did you see a woman run through this way just now?
- A lady in the medical gown? - Yes.
- Yeah, she shoved me and went that way.
She just left, you might still be able to catch her.
- [Officer] Thank you, Thank you.
Police!
That was so exciting,
I've never lied to the police before.
Oh crap,
are you an escaped killer on a violent rampage?
Oh, let's just get you inside.
There's food inside, food.
[Marshanda speaks in another language]
I have an idea.
Here, take this.
Catch.
Wait, wait, no, no, no, no, I promise, wait, wait.
More, good, good, look, mmm, mmm, good.
Oh, no, no, don't, don't.
You want another one, you got it, that's it.
[peaceful music]
[door closes]
This guy, he didn't do anything,
just gave vague promises.
Hey, it's okay.
[group cheers] [music blares]
Time to distract Eddie.
[group chants] [music blares]
- Eddie! - Where you been?
The toilets are blocked, don't worry about it.
Oh, careful, oh my God, Eddie, come on.
[crowd mutters]
[rock music blares]
[women scream]
[device clicks] [dramatic music]
- State of that shitty bar, make it yourself, did ya?
[dramatic music]
[waves lap]
[suspenseful music]
Yeah, I like it, too.
It's Skip's great, great, no,
great, great, great, great, great, great grandfather
had a commission or something.
[game beeps]
[Benny grunts] You all right, Benny?
[dramatic music]
- Mia, can I trouble you for another?
Yeah, of course.
Hey, how's sick leave going?
Oh, you know,
another day on the right side of the grass and oh, lovely,
let me keep the box.
- Very nice, fair do's hey, the usual?
Oh, yes, please.
Eddie made me something called
discharge of the light brigade, ugh.
No worries, leave it with me.
[arcade game beeps]
[ominous music]
- [Mia] We need to get you unhooked from this taser.
This is gonna suck, but, hey.
[women scream]
I'm sorry, I think I understood that and I'm really, really,
I'm really sorry, I'm so sorry. I'm so sorry, bear with.
I'm so sorry, bear with, bear with, breathe.
Let's get you into something a little less conspicuous.
Looks good.
Let's see.
It's amazing what people leave behind in pubs
after a few pints, honestly.
These look like they'll fit, so try these on.
Okay, let's get you some real food, all right.
What do you fancy, scampi fries, beef crisps?
Are you vegetarian, because that's all we have?
[Marshanda speaks in foreign language]
Right, you might be a mass murderer
and I'm here asking about your dietary requirements.
I'm an idiot, okay, please stay, all right,
I'll be right back.
[music blares]
- Hey, hey, ready yourselves for another
delightful concoction from London's greatest mixologist.
I call this one [foreign term], angel jizz.
- Welcome explorers to the Smugglers Tavern,
the pirate's private party palace.
This is the most historically infamous sordid den
of villainy and underworld chicanery
that ever was in old London town.
And it's here our walking tour of London
shall pause for refreshments and use of the facilities.
Mine's a Brandy Alexander if anyone's buying.
No?
Fair enough.
[upbeat rock music]
[arcade game beeps]
Argh, froze banana, bone sack.
- I need to talk to step to Skip about our deal.
He's busy.
- Just get him. - I just said he's busy.
Please.
[upbeat rock music continues]
[ominous music]
- I'm not selling. - Mr. Walsh is offering--
[Skip] I'm not selling!
- [Speaker] I know it's been in your family for generations,
- but you need to think about-- - I will not change my mind.
- Fine, Mr. Walsh won't be happy.
[ominous music continues]
- Hey, look, I know you're really doing everything you can
to help out, but is there anything you can do
to just help out a little bit more?
- Well, if he doesn't pay any of you this month,
he might just scrape by, but what about next month?
Hey, don't worry.
You can always be a barmaid somewhere else.
It's not the only pub in London.
[ominous music]
- [Mia] Eddie will be with you shortly.
Skip is missing his cue.
- He's in the middle of something.
- Shit, here, tell this lovely girl,
- Woman. - Woman, about
the dastardly dealings of the Smugglers Tavern.
- We do two for one cocktails between now and six.
Nice.
Cocktails.
- Actually, let me go find this general knowledge expert
who knows a lot more than I do.
- Lots of the legends here are true,
it's a most mysterious place this.
Before the great fire, it was 1666,
lots of nefarious stuff, and right here, I mean this bar,
it's built right on top of the lost rivers
and caves of London, all lost
when they rebuilt post-fire apparently.
- To reach your destination, you must leave the shore.
- Ah, yes, the maxim of ferocious pirate Catherine Morgan,
or Red Cat, as she was known.
- [Benny] Oh yeah, because she had nine lives,
[cannons blast]
[ball crashes]
- [Sebastian] Cat discovered a baby kraken
orphaned from its mother.
She cared for this krakling, naming her Lucy,
a fierce protector of the pirate who raised her.
[man screams]
[kraken calls]
[dramatic music]
Red Cat spent years trying to find a friend,
eventually Cat turned up here.
Her last hope was that her friend would follow
in her footsteps to the infamous Smugglers Tavern,
known as a black market for trading pillaged riches.
Allegedly, she left a trail of clues
should Marshanda return to claim her share
before Cat herself became nothing more than legend.
The man being shot by Red Cat in the painting bears
a likeness to Skip's forefather who owned the tavern
at the time, leading many to believe Skip's family
were more involved in the sordid deeds
of this notorious pirate than we know.
- Cool, I'll take two of those cocktails please.
Kraken, it's a nice touch.
I actually love the kraken.
[rock music blares] [Marshanda complains]
[bag shakes]
[bag crinkles]
- I hope you enjoy daylong sci-fi sessions
with an unwashed flacid ape man.
He feeds off self-esteem, this one,
so I'd look out for that, yeah.
- Hey, Eddie, can you pass me a water?
Hey, check this out.
See this fool over there?
So she used to date him
and it looks like they've dragged new dates
to the same place.
- Why don't you kick this date into phase two
and just shit off to Nando's.
- You shit off to Nando's, you ponce.
Eddie, the water.
Thank you.
Oh, hey, They've called down,
delivery's waiting, been up there for about 10 minutes.
10 minute, ugh.
You can stick your apology.
Hey, well done, another delivery's been nicked.
This one's on you, Eddie.
- Come on, don't be like that, Mia.
[door slams]
Skip, Eddie did not--
[Man screams] [Mia gasps]
Run, Mia, run!
[dramatic music]
[blows land] [man grunts]
[blows land]
[dramatic music]
[arm crunches] [blows land]
[glasses shatter]
[dramatic music continues]
[Marshanda speaks in foreign language]
[device clicks]
[Skip grunts]
- Are you all right down there, Skip?
[Skip] I think so.
Call an ambulance, Eddie.
[kick lands]
[man screams]
Hey, don't kill him, don't.
Ya.
[man screams]
That was the same crest as the restaurant next door.
Hey, what does this mean?
[Marshanda speaks in foreign language]
- Her vocal sound obliterated, that's not healthy.
Sounds like you've been doing eight Phantoms a week.
That's serious.
I can fix this.
Skip!
[dramatic music]
- Oh, hey, you can't be back here.
- Yep, just knocking together a cheeky vocal tonic.
- Eddie, they cut the landline before roughing me up.
That's another thing I, ow, to pay for.
Oh yeah?
See, if I was 15 years younger,
I'd throw you about like an empty track suit.
What's this?
- Gun powder and this is why you can't be back here.
All right.
[suspenseful music]
Hey, you're a bright bulb,
maybe you can communicate with her, what's she saying?
I'll see what I can do.
Wanna get some ice on that.
There's no signal down here.
- I know. - Right, I'll go up
and call the police.
[dramatic music]
- I don't think the police can help her.
What is she looking for?
Hey, who were those guys?
- Just some people who want to cash in on Mummy's fortune.
I can't even afford to keep the lights on
and they can smell the blood in the water.
So I'm gonna have to sell.
I let my father down.
- I can help you, I've been saving up.
- Oh, Mia, no, I can't do that again.
Yes, please, yes you can.
It's fine, you can owe me.
I can't.
- Skip, please, it's fine. - Mia, no.
It's only a bar.
It's a home.
I can't.
[somber music]
It's not up to you.
I'm gonna help you.
I won't be needing this anytime soon.
So much for traveling the world.
Come on, you.
- Okay, let's see how get this translation app is.
- [Marshanda speaks] - You're welcome.
- [Marshanda speaks] - Language not recognized.
- See if you can translate. - Do your thing.
[Eddie speaks in foreign language]
- [Marshanda speaks] - Who are you?
- Marshanda Damayanti. - Marshanda?
- Marshanda. - I'm Mia.
Mia.
- Mia. - Yes, Mia.
Marshanda.
- Sod this shithole, ladies to champers.
- [Speaker] The police are on their way.
- [Marshanda speaks] - Danger.
[ominous music]
- Hey, police are gonna be here in a little bit.
And I don't want my friend to get in trouble.
Can she come with you just for a short while?
I'll come find her and drinks will be on me.
- Abso-bloody-lutely.
- [Mia] Tell her that she needs to go
and I'll come find her then.
[Eddie speaks in foreign language]
Go.
She'll be safe with us.
- None of you saw her, especially you.
- I'm not supposed to go anywhere until the police.
I will buy you shots.
I will get you to, stop,
they're surprisingly strong.
Oh, no, no, no, go, go.
Go on then.
- [Marshanda speaks] - I can't.
I can't leave them.
[dramatic music]
No, wait, what you doing?
- Did you call the police? - Yes, yes, I did.
And they are coming to take statements
so everyone needs to stay here.
- What about the ambulance? - Yeah, ambulance too.
- We can't have the police coming here.
Huh, why not?
- Marshanda, she might be running from something, I think.
- For what? - What is she looking for?
Look, why is she looking?
- I don't know, until I figure that one out,
let's maybe not throw her under the bus, all right.
The thing on the wrist,
this crest, what is it?
[creepy music]
That crest is ancient and it's been
in that building upstairs long before it was a restaurant.
They've been trying to buy me out
and they'll try anything to burn me.
Look, I'm sorry, but keep this quiet,
they've put a bid in for this place.
It's three times what the place is worth.
Maybe she's involved with them.
No, no.
She's not with them.
Then keep her out of sight.
[creepy music continues]
- What makes you think this is going well, I don't--
- No, no, no, absolutely. We'll just, we'll start again.
Me and Chloe.
- Get your mucky hands off of me.
- No, no, the police said not to leave.
Help me out.
[dramatic music]
Mia,
help me out.
[door opens]
- Hello, Matt. - Mr. Walsh,
fancy seeing you here.
- This is DC Cross, been a bit of a disturbance in the area.
I just wanted to check our lovely neighbors were all right.
Go, go, there.
In here, go, in here, stay, you stay.
No, no, you gotta stay and hide.
We need to keep you out of sight.
[dramatic music]
- Well, it looks like our suspect
committed similar acts on your premises.
- Yo, Skip, who is this guy? - Theodore Walsh.
He inherited the restaurant from his father
and also acquired his lust for this place.
- Call me Ted, actually no, Mr. Walsh.
My associate believes our suspect is here,
my niece.
[Skip] Your niece?
We are just concerned.
- Well, maybe we should just wait for the police, eh,
sort this all out.
But we are the police anyway.
You got any id?
Isn't that how you do things here?
Come here.
Look at my face.
This is all the ID you need.
Take a good long look.
There we go.
[dramatic music]
So your niece?
Yes,
hospital gown, violent, quite the character,
a troubled young woman, I have to say.
We were in the process of getting her
some assistance, psychiatric assistance.
She had an episode, ran away,
millennials.
[dramatic music continues]
Your niece,
you're her uncle?
- Yes. - And this lot?
They're your task force?
Uncle.
- We're also uncle. - Also uncle.
Big family.
More police are on the way.
Are they?
[dramatic music] [ice clinks]
We were just trying to leave.
- Hi, we have a schedule to keep.
Hey, don't touch me.
Relax.
Let's all have some drinks, that's why we're here, right?
All we need is the woman.
Where is she?
[dramatic music]
She was here, Mr. Walsh.
I don't know where she is currently.
[glass breaks]
Whoops.
I'll get those up.
Let's try again.
[glasses clink] [dramatic music]
[Walsh bangs]
[drink pours]
[ice clinks]
[dramatic music continues]
Well, look who it is.
Come on, darling. [Mia grunts]
[door closes]
Why were you hiding in there?
Mia,
these men are dangerous.
[punch lands] [Skip grunts]
No, stop.
See.
Wait, I'm sorry, I'm sorry.
[suspenseful music]
Mister, I'm not who you're looking for.
Mr. Walsh.
Mr. Walsh,
I think I might have seen them
going into the toilets together.
She might still be in there.
Made a new friend today.
Hmm?
I wonder what you both talked about.
[suspenseful music continues]
[door opens]
[door closes]
[muffled blows land]
[dramatic music]
Mia.
[door closes]
[device clicks]
- Told you she was there, Boss, that's her.
Oh yes.
[suspenseful music]
I want you all outta my bar.
Eddie, the glass.
[suspenseful music]
Right now!
- [door bangs] - Now, now.
- Do you wanna see if this thing works?
Or do you wanna get the fuck outta here?
[blows land] [men grunt]
Get back, get back!
Take both the girls.
[blows land] [combatants grunt]
[dramatic music]
[blows land] [combatants grunt]
[wick sparks]
[blows land] [combatants grunt]
[cannon shoots]
[dramatic music]
I've been shot.
What is this shit?
Sorry.
Clear
my browser history.
[man falls] [dramatic music]
C'est la vie.
[Phone] That's life.
Sorry.
Bring her to me,
no witnesses,
kill them all.
[group mutters]
[blows land] [combatants grunt]
[dramatic music]
[glass shatters]
[blows land] [combatants grunt]
[dramatic music continues]
[blows land] [combatants grunt]
[door breaks]
What is that?
- That's where the Morgans went centuries ago,
you know that's gonna be.
- A way out? - Yes.
- Something's better than nothing.
[dramatic music]
[blows land] [combatants grunt]
Let's go.
[blows lands] [combatant grunts]
[dramatic music]
Let's play catch.
[blows land] [combatants grunt]
Eddie!
[dramatic music continues]
No, no, Eddie.
No [grunts].
[dramatic music]
[Mia screams]
[Marshanda blocks]
[blow lands]
[dramatic music continues]
[Marshanda blocks]
[blows land]
[dramatic music continues]
[blows land] [combatants grunt]
[door creaks]
[Skip mutters]
It's going to be,
[Skip mutters]
It's going to be okay, we'll get you help.
We'll get everything sorted, the help you need.
There's a way out underground.
- Oh no, I'm not leaving you behind.
The Orlop River, the Orlop,
- What do you mean the Orlop River?
Skip, no.
The Orlop.
[somber music]
[Mia cries]
[door creaks]
[dramatic music]
Go see what's in there for me.
No, thank you, Mr. Walsh.
We should leave.
Okay.
[suspenseful music]
- Gang warfare. - What do we do?
[glass shatters] [dramatic music]
[blows land] [combatants grunt]
There has to be a way out.
- Hey, you two, with me now, come on.
No.
She works here, come on.
[glass shatters] [dramatic music]
- Guys, there's another room back here.
[blows land] [combatants grunt]
Come on, let's go.
Hurry, hurry, hurry.
[blows land] [combatants grunt]
[dramatic music] Marshanda, come on, let's go.
Help me.
[dramatic music]
[glass shatters]
Come on.
Go!
- No, Benny, Benny, come on, come on!
[neck snaps]
[door creaks]
[somber music]
This is your doing!
[Marshanda speaks in foreign language]
- The girl's in here with me, Mr. Walsh.
Why do they want her?
Don't know.
How long have you worked here
and not had access to this room?
- I had no idea this was here until a minute ago.
- Do you think these are access points to fix the pipes?
Well, who cares?
[men speak in other room]
[guns shoot]
[group pants]
[dramatic music]
You shot me!
[man grunts]
I need a doctor!
[Marshanda speaks in foreign language]
[Phone] How many muskets?
- Muskets, god that app needs updating.
Yes, muskets, very bad.
[Man grunts]
What do they want with her?
There's nowhere to run.
- You should-- [Mia bangs]
- Orlop River. - River?
You think this pipe leads to one of the sunken rivers?
Orlop river , Skip said..
- You lot need to get your priorities straight there.
There is no Orlop River.
Nearest sunken river's the Tiburn or something.
Might as well just give it up.
Orlop.
Orlop is the lowest part of a ship of the rogue sea cats.
- Skip said Orlop River, but, - It could be a way out.
[dramatic music]
[door creaks]
- Look, is there anything we can do to keep your boss happy?
Well, they're obviously looking for what?
- Something Cat Morgan brought down here
hundreds of years ago.
Red Cat Morgan?
Are you talking about Red Cat's treasure?
That's just a myth.
[Marshanda speaks in foreign language]
Your phone, can you translate this?
[Phone] Language not found.
- It's not a language in the app.
Maybe you can have her say something
and it'll translate that.
Can you read this?
Read it.
[Marshanda speaks in foreign language]
- [Phone] To destination advance, coast departure urgent.
No, no, no, I think I get it.
It's Red's motto written in some coded language.
Skip said follow the Orlop River
and this pipes say Orlop steel on it.
I think Cat, Red Cat must have left that painting
for someone and Marshanda knows something about it.
I bet whatever they're after is through this pipe
and Skip realized it when he saw the hatch.
Let's try and find it.
Let's try and find it, yeah.
And we can give it to your boss,
you can smooth things over, buy some time,
and we'll keep running.
You're safe.
We are safe.
Right?
[dramatic music]
[women grunt]
[women pant]
Up that way, right?
I really can't do this.
[grenade rattles]
Ah!
Save yourselves.
Stop showing off!
[dramatic music] [grenade explodes]
Quick.
[grenade rattles]
[grenade explodes]
- [Henchman] Boss, the room's empty, they've disappeared.
All right, I need a,
well, well, well, what have we here?
[men grunt] Now what is
the deal with that room?
- how would I know, I've never been in there?
And besides, I'm way too hench to fit through that shit.
- You saying I'm not hench enough?
- It's a fucking hatch, what do you want?
- Good point, what we want is the girl
and more specifically something she has,
a little wrist device, and what she can find with it.
But the chief concern is where they could have gone
because they're not in there.
- [Cross] I think this one may be able to work it out.
Me?
What makes you think that?
[Cross] Call it a hunch.
It's not my hat.
[dramatic music]
Come on.
Come on, get on with it.
Get on with what?
Where'd they go?
There's a secret door in here or something.
Find it.
[dramatic music continues]
Keep moving.
We're getting there.
Getting where?
All the way from the bad guys.
Yeah, right.
- Come on. - Don't push me, stop.
Go, go.
No, no, no, no, no, no.
[dramatic music]
[Sebastian sniffs]
[Sebastian sniffs and retches]
[dramatic music continues]
Well, shit.
He's done it.
He's found a little escape room.
Oh God, no, stop pushing me.
I'm stuck!
Stop!
[dramatic music]
[Marshanda speaks in foreign language]
Don't, no, no, please.
Hey.
What's going on, why did we stop,
and why are the light out?
Someone talk to me, please.
No!
[group mutters]
Oh, I'm gonna die.
Breathe.
[man gasps]
Oh shit, breathe, breathe.
[dramatic music]
Here, take this.
It's a penis.
[dramatic music continues]
She's gone.
The American girl's gone.
Hello?
Somebody's coming.
[man exclaims]
You good?
I found a way out.
It's crazy cool.
It's not mine, sorry.
It doesn't mean anything.
[dramatic music]
[Marshanda speaks in foreign language]
- Which way? [men clatter]
We're getting closer, they definitely came this way.
[suspenseful music]
[fire whooshes]
All this is under the bar?
- Under the bar and so far back we are no longer in Soho.
It is nice shit.
- Skips Dad knew about this place.
I heard voices, they're coming.
The way out's that way.
Well let's move, yeah.
If they catch us, we're dead.
- Someone's been paying attention.
Follow the breeze.
Hang on.
[Marshanda speaks in foreign language]
Your translation app.
It's still looking.
- During, let's move. - We can't hang about.
One second.
[Marshanda speaks in foreign language]
[Phone] I need to go this way.
- Oh, no, no, no, we need to get out here,
it's too dangerous.
Danger. [phone speaks]
[device clicks] [dramatic music]
- What do we do? - I'm sticking with her
but if you wanna go, you can go.
I'll stay with you guys.
Seems safer.
- What are we doing hanging about, come on.
It's that way.
You said follow the breeze.
The breeze is that way.
You're following the echo of the breeze.
- The echo of the breeze, makes sense to me.
[dramatic music]
Marshanda, slow down.
Marshanda!
[somber music]
[Marshanda speaks in foreign language]
[Marshanda cries]
[somber music]
[Marshanda speaks in foreign language]
Try again in Mandarin.
- [Marshanda speaks] - My sister, my friend.
[Marshanda speaks] My friend.
- Oh God, she's found her. - Found who?
Red Cat Morgan.
- [Marshanda speaks] - My friend.
- [Henchman] That thing around her neck,
that's what Walsh has been looking for.
Walsh's father was a respected historian and archeologist
specializing in 18th-century piracy,
in particular Red Cat Morgan and her vast riches.
On one of his expeditions,
he discovered three small bundles of cloth all decorated
with a distinct crest, in one a pendant,
in the other two, nothing.
It led him to buy the Dragon Princess restaurant
thinking the crest was a sign of where the treasure
or, at very least, the other two pendants were kept.
- [Mia] That's why the symbol on her wrist
matches the one on Dragon Princess restaurant.
- [Henchman] He was wrong, it was a red herring
and there was no treasure.
There was no more pendants, he got the wrong place.
[dramatic music]
It was an obsession that spread from father to son.
All that spurred them on was that single pendant,
which they knew was only one of three.
Months ago, a geological expedition stumbled
across Marshanda's ship.
Walsh used all his underground connections
to get Marshanda's body and what she wore around her wrist.
It was only then he learned what his father never knew.
The wrist device contains a compass which locks in
on each of the pendants.
When all three are brought together and inserted
into the wrist device,
the compass would guide the wearer to the final treasure.
Marshanda's pendant guided her to Red Cat.
Now it's only Walsh's piece that needs to be added
before he can finally get what he wants.
[dramatic music continues]
- I'm your crew now, you're safe,
I'll take care of you.
Sister.
[dramatic music continues]
[device clicks] [suspenseful music]
- You don't want to go right? - Which way?
- No, no, that looks like the wrong way.
You said it was that way.
- [Marshanda speaks] - You go, I fight.
Good idea, she should fight.
- Shut up. - She's great at it,
what'd you want from me?
- What are those, tracks? - Yeah.
- Must've gone down there. - Yeah, I see it.
I can't leave her.
[Speaker] Move, move.
[suspenseful music]
[sword clinks]
Get them out of here.
[dramatic music]
[combatants groan] [blows land]
[dramatic music continues]
[combatants groan] [blows land]
Stop them!
[dramatic music]
[combatants groan] [blows land]
Let's get you out, come on.
- I can't go back, they'll kill Eddie.
- Run and get help. - Marshanda.
- They need her alive, you'll do better than the others.
- Get out of here, follow the breeze, go, go.
All right, all right.
[combatants groan] [blows land]
[dramatic music]
[combatants groan] [blows land]
[dramatic music]
Look out!
[blow lands]
[gun shoots]
[dramatic music]
[Mia gasps]
No!
[Mia screams]
[water drips]
[Mia groans]
- [Speaker] We've got them all now boss,
they're not going anywhere.
- [Cross] Good, I'll go get Mr. Walsh down here.
Let's finish this.
[Mia groans]
- Look, I don't want any trouble.
[group mutters]
[gun shoots] [woman groans]
- [Mia] You're not going get away with this.
- [Speaker] Don't you try to move, any of you.
- [gun clicks] - Whoa!
Careful.
Sorry.
What, it's empty?
- I knew I'd find you. - Shut up.
I thought you were dead.
I thought you were all dead.
- We tried to slip a gun off one of them
and then these two gave 'em the old Liam Neeson.
Which one of these is loaded?
I don't know.
Is she gonna be all right?
- Well, she's made of pretty tough stuff.
I have to go.
- [Speaker] We can't get her through that pipe,
not if she's out cold.
- Worse than that, there's more on them waiting
on the other side.
- We have to go, we need get out of here,
we need to follow that breeze.
Tough guy is up there.
Yeah, well we have these.
[gun cocks]
[dramatic music]
Got any gum?
Left it in the car.
[Sebastian exclaims]
[Marshanda speaks in foreign language]
- It's going to be okay, we're gonna get out.
- Hey, you guys, I found it, a way out.
South Bank, I can see Pizza Express, it's this way.
Oh, if you wouldn't mind leaving
a positive Trip Advisor review, I'd be very grateful.
Perhaps best not to mention the hostage situation
or all of the dead people.
Thank you.
- Get them out, call the police now.
- You're not coming. - I need to help her.
- The passcode's one, two, three, four,
don't check my messages.
What are you doing?
I just thought we,
I just thought we were really good back there.
- I didn't-- - No, not really.
- No?. - Don't ever do that again.
Right, sorry, sorry.
You're a strange man.
[dramatic music]
[device clicks]
- Ah, not so fast, or turner faces the soup.
[suspenseful music]
All clear.
Wonderful.
You're all here.
- Where's Eddie? - Resting Easy with the doc,
helping restore your little tavern to its former glories.
There he is.
Like playing with rocks, do you?
Look at me.
- [slap lands] - No, stop, stop, stop.
Put your hands down.
Please,
please, please don't let your men hurt him.
Please, please, honestly, we'll help you.
[slap lands]
[Marshanda speaks in foreign language]
[dramatic music]
Bring me the wrist device.
[device clicks]
It still works.
We found Red's piece and of course Marshanda's.
[dramatic music]
It's here.
Bring our niece and the barmaid to keep her well behaved.
Keep the rest here as a bit of extra collateral.
If you behave, they'll live.
If she behaves, you live.
[dramatic music]
Yeah.
[Sebastian exclaims]
[device clicks]
Why?
Because I can and he couldn't.
- Is that worth murdering my friends?
Needs must
and I need her.
[dramatic music] [water splashes]
[dramatic music continues]
[box clicks]
[drawer slides] Coordinates,
leading to riches, my riches.
[dramatic music continues]
[Mia] Aren't you rich enough?
No, I wanna be double rich.
[box clicks]
How do you like me now, Dad?
With these scrolls in this particular order, I,
You fucker.
Do you remember the order they were in?
- No, I was keeping an eye on them.
- [Walsh] Does anyone remember the order they were in?
Fuck!
Years we've been working on this.
- [Henchman] Does it say what order they should be in?
No, I can't read this shit,
this is some dead pirate code.
[dramatic music] [box clinks]
[Walsh screams]
[tense music]
[blow lands]
[gun shoots]
[blows land]
Mia, catch.
Red Cat's painting, the code.
[dramatic music]
There's something on this,
it will help me open that.
What if it's a booby trap?
Come on Mia, come on.
Come on, come on, think, think, think, think.
Come on Mia, think.
[tense music continues]
[drawer clicks] [Mia gasps]
[blows land] [Cross grunts]
[water splashes]
[tense music continues]
[water splashes] [man screams]
[water splashes] [Cross screams]
[creature calls]
I got the codes.
[Walsh groans]
Hey, I don't suppose DeCoon's holding a first hostage rule
would be a problem for you. [Marshanda grunts]
[Walsh screams]
You can't leave!
I have money!
Asshole.
[Walsh] You can't leave me!
Wait!
No!
- Welcome to the Smuggler's Tavern, so head to the toilets,
empty those bladders before entering Benny's hatch,
and crawling through the claustrophobic labyrinth
of Sebastian's tunnels.
- Argh, welcome mateys to the underground caves of Soho.
Waterproofs are available just through here.
It is quite claustrophobic,
so you have been warned, no refunds.
How much do pirates pay for their earrings?
A buck-an-ear [laughs], come on this way.
[Mia] All right, we're off.
Be careful.
- Don't fuck the place up, Eddie.
- Ah, she's getting really good at that.
- It's the most pertinent sentence.
Seriously though, be careful.
[Mia speaks in foreign language]
- We need money. - Very nice.
And I've got pictures on my phone and the cloud.
So we've got a plan B.
[Marshanda speaks in foreign language]
Nice.
Hey, Mi.
Thanks.
[peaceful music]
- [Mia] You sure you don't want a hand with that.
[dramatic music]