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(gentle music)
- Good day, Sir,
I was wondering if you might have a certain book in stock.
- Sure, what are you looking for?
- One of the "For Dummies" books.
- Yes, I got many of them.
Which one?
- "Acting For Dummies."
- Well, I don't think I have that one.
- Okay, I'll tell you what, I'll be back a little bit later.
And if you can get for me, I'd appreciate it.
- Oh, of course, of course.
- Thank you very much.
- Not a problem.
You have a wonderful.
- You too.
(gentle music)
- Can I help you find something?
- How long have you guys have been here?
- Quite some time.
- I don't remember this being here.
I could have sworn this was a closed old shoe store,
about a week ago.
(store clerk laughing)
- Shoe store.
Surely you must be mistaken.
We've been here for years.
Why, look at all the dust in this old shop.
- So what kind of stuff do you have in here?
- Books and the antique odd and end.
- You sure do you have a collection of things.
- Thank you.
- Probably nothing that would fit my collection.
- Oh, really?
What sort of collection do you have?
- Oh, it isn't a large collection,
but just a few first editions, some signed copies,
oh, and mint condition of course.
- [Store Clerk] Of course, sir.
- Again, you probably have nothing that would fit.
- Well, I may have one or two things.
- [Man] Oh yeah, what you got?
- In fact, I recently obtained a fine first edition,
Mary Shelley, "The Modern Prometheus."
Signed by the author in 1818.
- Yeah.
Yeah, that's what I thought.
It's in rough condition.
Yeah, that's not for me.
- It's a bit worn, I suppose.
Here I have an, "Athanasius Kircher Magnetica Opus."
From 1654 in excellent condition, Sir.
This could fetch a great price in the right market.
- I've seen books like this
fetch good money and shows in Chicago.
- [Store Clerk] You already have one?
- Not any longer.
But, nah, it's not really a what I'm looking for.
- So the first one, the condition isn't right.
And the "Kircher" you already have one.
Or you're used to.
I may just have the book that you can't pass up.
This is one of the rarest books in the world, Sir.
The only one of it's kind.
- Really, I doubt that.
- Yes.
Be careful with that.
- I know how to handle books like this.
- Of course, Sir.
It's completely unique.
- How much?
- Well, like I said, it's extremely rare.
But for a collector like yourself,
I could come down a bit on the price, $5,000.
- 5,000.
- Yes.
If you can't afford it,
it's completely understandable. Sir.
- Well for 5,000 it better be unique.
- The only one of it's kind in the world, Sir,
it has a fascinating backstory.
- So if you're asking price is 5,000,
what was your original price?
- 10,000.
- Why is such a discount, what's wrong with it?
- It keeps coming back to me.
- Returned?
So you're trying to sell me buck.
- No, no, not returns, not at all, Sir.
I just keep finding it
in old estate sales that I obtain.
Or perhaps the owner is looking to make some fast cash.
It's very valuable.
- Okay, I'll take it.
- [Store Clerk] Excellent.
- But if I find out it's junk,
I'm bringing it back and getting my money back.
- Very good, excellent, Sir.
But I do want to in good conscience to tell you,
this book has a history.
- Oh no, we've already agreed on a price of 5,000.
You're not gonna raise the price on me.
- Oh no, not that, sir.
It's just, don't read it.
When you take it home,
just put it up on the shelf and leave it there,
don't open it, Sir.
- [Man] Really?
And why is that?
- Well, it's said that this book is cursed.
I don't put much stock in those things myself
but you never know.
- Well,
I can do with it as a one now, it's mine.
- No, don't read it.
Thank you, come again.
(suspenseful music)
(car engine revving)
(gentle music)
- Cursed.
(gentle upbeat music)
- [Man] That was "Raggedy Man In Blue"
by The Travelers on Atlantic Records,
a new band to keep an eye on as they climb the charts.
Local news time, 9:40.
Reports of vicious animal attacks
have spread closer to town.
- We don't need that mess right now.
- What if it was something important?
- It's the same stuff had been listening to all week.
Don't worry, I'll protect you.
- You couldn't protect yourself from crazed midget,
let alone some wild animal.
Whatever.
Look, I'm a tough customer.
I can handle anything that's thrown my way.
- Oh yeah.
- Yeah.
- You can take anyone, huh?
- Anyone.
- Why don't you take me right now, tough guy.
(both laughing)
What was that?
- It's probably just some.
- Just a what?
- It's probably just someone messing with us.
(animal growling)
Hey, leave us alone.
(animal growling)
You better leave or you're gonna be sorry.
- Oh, come on, don't.
- Look it's probably just someone messing with us.
I'm gonna put it into to it right now.
- Just stay in the car.
Let's go back to town.
We don't need to mess with this.
Let's just go.
- Look, I'll be right back.
- Come on, get back in the car.
All right, come out cowards.
(suspenseful music)
- Stop.
Let's just go.
(suspenseful music)
Hello.
Honey.
Come back to the car.
Come on.
This isn't funny.
I just wanna go home.
(suspenseful music)
Sorry, I didn't see you there.
(animal growling)
Excuse me, I'll be going back to the car now.
(birds chirping)
- [Boy] See, I told you I'd bring you dinner.
(animal growling)
(girl screaming)
- That dirty lying.
(suspenseful music)
- Quit playing with that.
I'm gonna tell mom.
- Come on.
You wanna see something cool?
- Mom said to go straight home.
- It'll just take a few minutes.
I know a way in.
- Mom said.
- Mom said, mom said.
Don't be a baby.
- I'm not a baby.
- What was that?
- What was what?
- I think I heard something.
- The building's completely empty.
I've been in there a million times.
- I don't think we should go in there.
- I thought you said you weren't a baby.
Come on.
- Fine.
Hey, wait for me.
(man laughing)
(man coughing)
- Just give us a name,
a location, anything.
And this can all be over.
(suspenseful music)
- They say no one knows his identity,
that he works in the shadows.
But we know that you contracted the hitman,
called The Sorcerer, to kill my family.
Did you not have the courage to do it yourself?
(man laughing)
(man screaming)
(man laughing)
My wife, my daughters.
You tell me where to find him.
- We know, you know.
Just give us something and this ends.
- Tell me, is it true what they say about The Sorcerer,
that he has superhuman powers,
that anything he touches dies,
that the touch of his own finger is so deadly,
that even if he scratched his own itch,
he would kill himself?
(man screaming)
(man laughing)
You think this is a joke?
He murdered my wife,
my children.
(man laughing)
(man screaming)
(suspenseful music)
(man laughing)
His hand.
(man laughing)
(suspenseful music)
This is your last chance.
Tell us where to find The Sorcerer
or are we start with your fingers.
(suspenseful music)
No?
Do it.
(saw blade spinning)
(man screaming)
You were saying?
- I swear, I didn't hire The Sorcerer.
I am The Sorcerer.
(suspenseful music)
High five.
High four.
(gun firing)
(man laughing)
- No, don't, please.
I'll give you anything you want.
- I can't allow any witnesses.
(girls screaming)
- Run.
(suspenseful music)
- Help me.
(suspenseful music)
- Give me your hand.
- No.
(girl screaming)
- Get up, you have to get up, he's coming.
Come on.
You have to get up, we have to get outta here.
Hurry up, he's almost here.
- Leave 'em alone.
- No.
(gentle upbeat music)
- Wait, what if somebody touches him?
(saw blade spinning)
(suspenseful music)
(fire crackling)
- Are you telling mom?
(gentle music)
(clock alarm ringing)
- Carrie, time to get up.
(clock alarm ringing)
Hey, that's all you're gonna eat?
- Well yeah, go on, I gotta get my run in.
- It's our vacation, we gotta relax and have fun.
- I am having fun.
And besides, if I don't workout,
you might leave me for someone else.
- Better believe it.
Carrie, breakfast is ready.
(alarm clock ringing)
Carrie, get up, honey.
(alarm clock ringing)
What is she doing?
(alarm clock ringing)
Carrie, get up.
Don't make me come in there.
(alarm clock ringing)
Get up, we gotta get into town.
(door knocking)
Come on.
(alarm clock ringing)
Carrie, where are you hiding?
We need to go into town.
Where are you?
It's not funny.
(suspenseful music)
Carrie.
(gentle music)
(birds chirping)
(gentle music)
(birds chirping)
- Hey, stay near the house.
(birds chirping)
Izzy.
Izzy, where did you go?
(birds chirping)
Where did you get this?
- Tulip left it for me, when we were playing.
- Who's Tulip?
- Just a little girl.
- Where is she?
- In the woods.
- [Monica] Why's a little girl in the woods?
- I guess she lives there.
- Okay.
Let's go inside okay, get unpacked.
(birds chirping)
Hey, Izz, it's time to get ready for bed.
- [Izzy] Mom, do I have to?
- Yes you do.
You wanna have some fun tomorrow,
so you need to get some rest.
- [Izzy] But I don't wanna go to bed yet.
- Go take your shower, get your PJ's on.
- Can I play on my tablet for a little bit after my shower?
- Just for an hour.
- Thanks, Mom.
- Hey, where did you get this?
(girl laughing)
(voices chattering)
Morning sleepy head.
- Morning.
- Did you sleep okay?
- I guess.
- Ready to go on some adventures today?
- I was wondering if we could just stay here?
- [Monica] Yeah.
You feeling okay?
- Yeah, I just don't really feel like going anywhere today.
- Okay.
(birds chirping)
Hey, listen.
I know that things have been really hard on you lately.
You know that your dad leaving
has nothing to do with you, right?
- Can I go sit outside
by myself for a while?
- Can I make you some tea?
- No, I'm okay.
- Are you sure you don't want to go exploring?
- Yeah, I'm sure, Mom.
- I thought you wanted to have some fun this week.
- I am having fun.
- Drawing.
Drawing is fun?
- Yeah, I like it.
- That's really good.
Is that you and me?
Who's that?
- That's Tulip.
- Who's Tulip?
- She's my friend,
the one that lives in the woods.
- Oh yeah.
Is she nice?
- Yeah.
Her friend Robin's kind of mean to her sometimes though.
- Is that kind of like that guy
that's mean to you at school?
- I guess so.
- Is that one Robin?
- No, that's Carrie.
- Who's Carrie?
- She's a girl that Tulip brings to play sometimes.
- Where's she from?
- She said that she stayed here once,
like a long time ago.
- Why don't we pick up
and at least go walk some trails together.
Please.
- Okay.
Oh I guess so.
- Where did these rocks come from?
Hey Izz, stay out near the house okay,
it's too late to be near the woods.
- But Tulip wanted me to show her my drawings.
- [Monica] You heard me, come one.
- Sorry, Tulip.
- Izzy.
- What, Mom?
I'm not in the woods.
- Okay, just come inside, come on.
- Why, Mom?
I was having fun.
- I know baby, it's getting late.
Izz, who was that man in the woods?
- What man, Mom?
- That man that I saw the red cap, who was that?
- I don't know, Mom, I didn't see him.
- Okay, just if anyone comes, you have to let me know, okay.
- Okay, Mom.
- Just go tidy up your room, I'll make dinner.
(suspenseful music)
Izzy.
Izzy, I told you it's too late.
- What, Mom?
I just thought I saw something.
- Do you want me to help you with dinner?
- Thank you.
- Ow.
- What's the matter?
Where are you getting these?
- It must've been Tulip, she probably left it for me.
- We don't put rocks in our bed, okay.
- [Izzy] I didn't.
- Then where does it come from?
- I told you, it must've been Tulip.
- No more rocks.
(crickets chirping)
- [Izzy] Tulip stop, no.
- Izzy.
- No, Tulip stop, I told you would flip.
No,
don't do it.
Mom.
- Izzy, Izzy.
(suspenseful music)
Izzy.
Izzy, where are you?
Izzy.
Hey, have you seen my daughter?
(gentle music)
- No.
No, babe no, I'm serious, I can't tonight.
I can't, I got to get moving on this thesis.
Yeah, I don't know, I don't know.
Maybe something like some urban legends or something.
You know Dr. Gordon loves that shit.
No, no, I was just started tonight.
Yeah, I know, I know.
No, no.
Look, I definitely can't tonight,
all right, I can't.
But you know what?
How about you and I do something this weekend,
something nice?
Yeah.
We'll go there okay.
Yeah, but just tonight,
I just gotta make sure I have something
to run by him tomorrow.
Yeah.
Okay, I miss you too.
All right, all right.
Okay, I'll talk to you tomorrow.
Okay, good night.
I love you too.
Okay bye.
(gentle music)
- [Man] Showtime.
- I don't wanna be a bother
but I was told there would be a bottle of water.
(gentle music)
- Come on.
There's no way this is live.
(man coughing)
- No.
(suspenseful music)
- What the fuck.
(suspenseful music)
(Wayne gasping)
(suspenseful music)
(woman screaming)
(suspenseful music)
- And although these stories sound plausible,
they crumble to myth at the slightest of scrutiny.
Urban folklore.
Often these tall tales are rooted
albeit it distantly, in truth.
The Candy Man, for example,
and the old TV days,
he was not a slave that was murdered
for falling in love with a white woman.
Meet Dean Corll, the real Candy Man,
who murdered 28 boys from low-income housing projects,
in Houston, in the early '70s.
Corll's family owned the candy factory, by the way.
Hence the moniker.
Then again, in Houston in 1974,
Ronald O'Bryan gained infamy as yet another Candy Man
after lacing Halloween treats with cyanide
and distributing them to several children,
including his own.
And ever since then, superstitious parents
insist on x-raying their children's Halloween candy
for razorblades.
But there's never been a proven case
where a stranger has intentionally tried to harm children
by tampering with Halloween candy.
You see, O'Bryan's motive, apparently,
was to collect the insurance payouts
on his children's policies.
He gave poison candy to their friends
as a means of making the poisonings
look less targeted towards his own children,
thereby it gained momentum.
And although these real life stories
have candy and urban environments as elements,
they have nothing to do with repeating names into mirrors
or hooks for hands, I'm afraid.
Mr. Vittol.
- Dr. Gordon, what about snuff films?
- You read my dissertation.
Same thing.
Not a single law enforcement agency in the world
has been able to obtain any proof whatsoever
that anyone has ever been paid
to murder another human being on camera for entertainment.
In fact, the million dollar reward for verifiable proof
that even the existence of one snuff film actually exists,
remains unclaimed for decades.
Now that's not to say
that there hasn't been some convincing fakes,
most notably in 1991, actor Charlie Sheen,
watched a Japanese film so graphic in nature,
he was convinced it had to be a snuff film.
He was so shaken that he took the VHS tape,
yes, VHS tape.
(all laughing)
To the FBI in a panic.
Well agents quickly deduced that it was clearly staged
as part of a horror film series and nothing more.
Now with the agents having a good laugh at his expense,
Mr. Sheen was not winning that day, I can assure you.
- What about red rooms on the dark web?
You know like not indexed, hidden websites
where you can literally get anything you want,
guns, drugs, contract hits, shit like that.
- Wayne, if I recall correctly,
"Silk Road" was shut down in 2013.
- But there are other websites out there just like it.
- Do I smell a thesis?
- Yeah.
Yeah, I think so.
- And you'd like to explore this snuff film myth
as it pertains to folklore in the internet age.
- Yeah, more or less.
(gentle music)
Oh shit.
- [Man] We can see you Wayne.
And the camera behind you.
We want to see you turn that camera off before we do.
(suspenseful music)
Now Wayne.
Showtime.
(suspenseful music)
- Oh God, no.
(suspenseful music)
- [Man] We can hear you Wayne.
You don't have to type all those big college words.
Now decide.
If you want, we can choose for you.
How about a nice Columbian necktie?
- No, no.
No, just stop,
stop, please stop.
(gentle music)
How much to spare his life?
- [Man] You're out of Bitcoins Wayne.
But you still got nearly 10,000 in your checking account,
that will do.
(gentle music)
- Okay.
Okay, just tell me how.
- [Man] Tomorrow, you will receive instructions.
And don't even think about involving the police.
Or he will die.
- No.
(gentle music)
(car engine revving)
(birds chirping)
(gentle music)
- [Man] Come inside Wayne, to make the exchange.
- Can I just leave this here
and you send him up to the door?
You know, that way I never.
- [Man] Come inside.
There are still plans to discuss.
You can leave the money on the table.
(gentle music)
I will trust it's all there.
- [Victim] Here, I'm in here, don't let me go.
(gentle music)
- It's okay.
(suspenseful music)
- Remain seated please.
- Dr. Gordon, I came to help you.
Dr. Gordon, I came to help you, why are you doing this?
(suspenseful music)
(Wayne crying)
(suspenseful music)
- Showtime.
(gentle music)
(car horn honking)
(suspenseful music)
(cellphone ringing)
- As authorities are continuing their investigation,
they're urging everyone to stay indoors.
They believe the infection may be airborne
and it can be passed through casual contact.
- No, change that.
- Please continue
to stay in your homes. - Dad, I'm scared.
- Do not let anybody in.
We will stay with you throughout the day.
- Jennifer.
(suspenseful music)
- God.
- Let me in, please, I need you.
- What happened to you?
- Please just let me in.
Just don't let me die.
Don't let me die.
(suspenseful music)
(man screaming)
Let me in.
(suspenseful music)
- Everything's busy.
I have tried Jennifer, 911, my mom.
- Probably all jammed up, cable's out too.
- What's going on?
- Come here, honey.
- I'll be right back.
- Where are you going?
- My dad's old scanner in the attic,
I wanna see what's going on.
(suspenseful music)
- What are you doing, Brad?
(suspenseful music)
(woman screaming)
(car tires screeching)
- "They're here."
Was the message sent out by The Pentagon.
This footage was sent to us by a viewer.
(suspenseful music)
- [Girl] Mom.
Dad.
- You'll have nightmares.
- What was that?
- I don't know.
(suspenseful music)
(cellphone ringing)
- We are waiting on President Armstrong to make a statement.
We've been told the president will be speaking
from the Presidential Emergency Operations Center.
The PEOC was built by FDR
under the east wing of The White House
to provide a secure place in the event of an emergency.
We are going to the president now.
- My fellow Americans and citizens of the earth,
we are under attack.
The enemy is of an alien nature.
All attempts to communicate with the aliens have failed.
The CDC, NASA and The Military
are working together to find answers.
I urge you to stay in your homes
while solution is investigated.
What we know at this time
is these aliens are symbiotic by nature
and are moving from host to host
in an attempt to find nourishment.
They are small creatures,
similar to ants in collective behavior
and transfer from host to host through the eyes.
Signs of infection include pasty skin,
a look of fatigue and red or bloody eyes.
Now we do know that if a symbiote does not find a new host
within minutes of leaving a deceased host,
that symbiote will die.
As we look for resistance for those infected,
I urge you to protect yourselves, seal your environment,
do not leave your home or place of work
and do not open windows or doors for anyone.
They may be infected.
(suspenseful music)
- Help me.
Need scissors.
- I'll get them.
- What are you doing?
- [Man] Hold this.
- No, why are we doing this?
- Didn't you see the president?
- No, I shut off the TV.
- There's been some kind of invasion,
small ant-like creatures, they get in through your eyes.
They control you to their next source of nourishment.
- Wait, wait, wait, wait.
So they're saying, we're food?
- Got 'em.
- We seal this place up, best we can
and then stay put.
(suspenseful music)
- What about sis?
(suspenseful music)
(car brakes screeching)
- I didn't see you.
I'm so sorry.
- Don't let them.
Don't let them.
No, no.
(suspenseful music)
- Darling, we need more tape.
- Okay.
(suspenseful music)
Mom,
Dad.
- [Woman] What is it baby?
(suspenseful music)
Jenny.
- What, where?
- She was just there.
- There's no one out there.
- [Girl] I could have sworn I just saw her.
- Let's go get some more tape.
(suspenseful music)
Jenny.
(suspenseful music)
Jenny's outside.
- [Girl] Dad.
- Help.
- Jenny.
We can't.
- We can't save our daughter?
- She's dead already.
(gentle music)
- Since mankind first saw it's own reflection,
we have been fascinated by her own image
staring back at us.
Ancient cultures believed that a mirror
was a reflection of the soul.
Which is why breaking it is bad luck.
And why vampires have no reflection
because they have no soul.
Others like myself.
(girls laughing)
Believe they are a portal to other dimensions.
Whatever you do do not think about a white bear.
That's right.
Do not think about a white bear.
There was a study once
where people were told not to think about a white bear,
they spent the next few minutes trying everything they could
to not think about a white bear,
but failed.
Why?
When we try to suppress a thought, two things happen.
We consciously searched for thoughts
that do not involve white bears.
Conversely, we analyze each thought
to make sure they don't involve white bears.
The problem is both thought processes involve white bears.
So when you go home tonight and you look into the mirror,
do not say, "Mirror, mirror on the wall."
(all laughing)
But seriously,
never ever look into the mirror and say,
"No devil, never odd or even, lived on."
See you on Monday.
(suspenseful music)
- No devil never odd or even.
(telephone ringing)
Hey Jill, what's up?
- [Jill] Are you coming to the party?
- I'm getting ready now.
Are you guys already there?
- [Jill] Yeah, we just got here.
- Well text me if Zack's there.
- [Jill] Girl, you need to stop
obsessing about your ex-boyfriend.
- Yeah, yeah, I know.
Hah.
- [Jill] Hah, what?
Shannon?
- Do you remember the phrase
the professor said in class today?
- [Jill] The white bear?
- No devil, never odd or even, lived on.
- [Jill] Oh yeah, now I remember.
Hey, make sure you don't say while looking into a mirror.
- Too late, I think I already did.
- [Jill] Whatever.
Hurry your ass up, we're here
and so is Zack, FYI.
- All right, see you later, bye.
- [Jill] Later.
(suspenseful music)
(Shannon screaming)
- Hello Shannon.
- Oh my God.
- Thanks for inviting me.
(Shannon choking)
- Hello.
Shannon.
(Shannon screaming)
Shannon.
Oh my God.
(Shannon screaming)
(glass vase breaking)
(suspenseful music)
- [Operator] 911, what's your emergency?
- I think something's happened to my friend.
(suspenseful music)
(camera clicking)
(suspenseful music)
She was supposed to meet up with us, but then I got a call.
She was screaming.
- Did you hear anything else, another person maybe?
- No, just screaming.
- Green, I think I found something.
No devil, never odd or even, lived on.
Does that mean anything to you?
- Doesn't sound familiar.
- It's from class.
- What does it mean?
- I don't know.
Just our psych professor
told us you should never say it
in front of a mirror or something.
- The girls say it's some superstition
about opening portals in the mirror.
(suspenseful music)
- What time was the?
Roberts?
Wait here.
Roberts?
I hope this works.
No devil, never odd or even, lived on.
(gun firing)
(suspenseful music)
(Green screaming)
Help me.
No.
(gun firing)
Easy, easy.
You're safe.
- The professor.
- He's not gonna hurt you anymore all right.
Let's get outta here. - Hello.
Detective.
(mirror knocking)
Are you there?
- Jill, Brandi.
- How do you suppose we get outta here?
- [Jill] Are you there?
- I think we have to say the phrase backwards.
- [Jill] Hello, detective.
- Backwards seems forwards.
- Yeah, I know.
(both laughing)
- I think we should say the phrase.
- No way.
- [Both] No devil, never odd or even, lived on.
(Brandi screaming)
- Shannon.
(all laughing)
Oh no.
(gentle upbeat music)
- Hey, can you take this box to the book store,
I think it closes in an hour.
(door bell ringing)
(car engine revving)
(gentle upbeat music)
♪ I'm the one, I am ignored ♪
♪ When your teenagers are bored ♪
♪ Foolishness will hand their careless lives to me ♪
♪ They fear what they don't know ♪
♪ Through their ignorance I glow ♪
♪ As they flicker from this dream I'll set them free ♪
(gentle upbeat music)
♪ Through cancer and disease ♪
♪ I'll take with me whom I please ♪
♪ No need to run ♪
♪ You can fight and face defeat ♪
♪ Through religion and deceit ♪
♪ And science and conceit ♪
♪ Try to stop me ♪
♪ But in the end I can't be beat ♪
♪ I'll be at it once again ♪
♪ You'll all face me in the end ♪
♪ It should be fun ♪
♪ As I swat you down like flies ♪
♪ So when it's time for you to go ♪
♪ Don't you cry 'cause don't you know ♪
♪ It's a point at once for every man to die ♪
♪ But what happens when you're dead ♪
♪ Ain't my problem but I've read ♪
♪ You'll burn in hell for all eternity ♪
♪ Life wasn't all that great ♪
♪ But please make no mistake ♪
♪ It gets much worse after you've met me ♪
♪ I'm the reason the sick ones ♪
♪ Pray to God as they lie there still ♪
♪ I'm the reason they cry out ♪
♪ Because I kill ♪
♪ The different sources I may use ♪
♪ And everybody knows my name ♪
♪ Everybody knows my name ♪
♪ Everybody plays my game ♪
♪ And everybody knows my name ♪
(gentle upbeat music)
♪ As I close my eyes to die ♪
♪ I will not fear ♪
♪ I will not cry ♪
♪ As I travel down this road ♪
♪ I gave my all, I took my load ♪
♪ As I lay my head to rest ♪
♪ Oh God, you know ♪
♪ I did my best ♪
♪ Was it you, or I who turned ♪