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♪♪
- RIHANNA: Storytelling is the last part of any journey.
There is experience.
And then there's that emotion
that's connected to the experience.
Whether it's a scent, whether it's the sound,
that emotional connection to that particular moment
is the thing that makes it worthy of telling in a story.
♪♪
- WOMAN: Skin.
Touch.
Feel.
Ouch!
Beware.
She's dangerous.
The savage.
A knife.
She'll cut you with her curves.
Entice you with her words.
A dream.
A curse.
A savage.
A lion.
(growling)
Wild, free, ferocious.
She is not to be tamed.
Just let her be.
A burning room.
She'll stop your breath.
Inhale, exhale.
(indistinct dialog)
She moves like water.
Float.
Spill.
An overflow of cockiness.
Drink if you will.
Her power unmatched.
Her body unleashed.
They call her a savage.
A gun. A beast.
♪ A savage, a beast ♪
♪ A beast, a beast, a beast, a beast ♪
♪ A beast, a beast ♪
♪ A savage, a beast ♪
♪ A beast, a beast ♪
♪ A savage, a beast, a beast ♪♪
♪ Every second, every minute ♪
♪ Man, I swear that she can get it ♪
♪ Every second, every minute ♪
♪ Man, I swear that she can get it ♪
♪ Say if you a bad bitch, put your hands up high ♪
♪ Hands up high, hands up high ♪
♪ Tell 'em dim the lights down ♪
♪ Right now, put me in the mood ♪
♪ I'm talkin' 'bout dark room, perfume ♪
♪ Go, go ♪
♪ I recognize your fragrance ♪
♪ Hold up, you ain't never gotta say shit ♪
♪ And I know your taste is ♪
♪ A little bit, mm, high maintenance ♪
♪ Uh, everybody else basic ♪
♪ You live your life on a every day basis ♪
♪ With poetic justice, poetic justice ♪
♪ If I told you that a flower bloomed in a dark room ♪
♪ Would you trust it? ♪
♪ I mean, I write poems in these songs ♪
♪ Dedicated to you when ♪
♪ You're in the mood for empathy ♪
♪ There's blood in my pen ♪
♪ Better yet, where your friends and them? ♪
♪ I really wanna know you all ♪
♪ I really wanna show you off ♪
♪ Fuck that, pour out plenty of champagne ♪
♪ Cold nights when you cursed his name ♪
♪ You called up your girlfriends ♪
♪ And y'all curled up in that little bitty Range ♪
♪ I heard that ♪
♪ She wanna go and party ♪
♪ Nigga, don't approach her with that Atari ♪
♪ Nigga that ain't good game, homie, sorry ♪
♪ They say conversation ♪
♪ Rule a nation ♪
♪ I can tell but I could never right my wrongs ♪
♪ 'Less I write it down for real, P.S. ♪
♪ You can get it, you can get it ♪
♪ And I know just, know just, know just ♪
♪ Know just, know just what you want ♪
♪ Poetic justice ♪
♪ Put it in a song ♪
♪ All right ♪
♪ You can get it, you can get it ♪
♪ And I know just, know just, know just ♪
♪ Know just, know just what you want ♪
♪ Poetic justice ♪
♪ Put it in a song ♪
♪ All right ♪
♪ Every time I write these words, they become a taboo ♪
♪ Makin' sure my punctuation curve ♪
♪ Every letter here's true ♪
♪ Livin' my life in the margin ♪
♪ And that metaphor was proof ♪
♪ I'm talkin' poetic justice ♪
♪ Poetic justice ♪
♪ If I told you that a flower bloomed in a dark room ♪
♪ Would you trust it? ♪
♪ I mean, you need to hear this ♪
♪ Love is not just a verb, it's you lookin' in the mirror ♪
♪ Love is not just a verb, it's you lookin' for a maybe ♪
♪ Call me crazy, we could both be insane ♪
♪ A fatal attraction is common ♪
♪ And what we have common is pain ♪
♪ I mean, you need to hear this ♪
♪ Love is not just a verb and I can see power steerin' ♪
♪ Sex drive when you swerve, I want that interference ♪
♪ It's coherent, I can hear it ♪
♪ Mm-hm, that's your heartbeat ♪
♪ It either caught me or it called me ♪
♪ Mm-hm, breathe slow and you'll find ♪
♪ Gold mines in these lines ♪
♪ Sincerely, yours truly ♪
♪ And right before you go blind, P.S. ♪
♪ You can get it, you can get it ♪
♪ And I know just, know just, know just ♪
♪ Know just, know just what you want ♪
♪ Poetic justice ♪
♪ Put it in a song ♪
♪ All right ♪
♪ You can get it, you can get it ♪
♪ And I know just, know just, know just ♪
♪ Know just, know just what you want ♪
♪ Poetic justice ♪
♪ Put it in a song ♪♪
♪♪
♪♪ (singing in Spanish)
♪♪
♪♪ (continues singing in Spanish)
♪♪
- Did ten year old me even have a diary?
Ten year old me had secrets.
Ten year old me did not put secrets down on paper.
- As a child, I was definitely a bit of an alien,
or a bit of a creature.
Just felt very feral.
- I always wanted a diary,
but I always thought my mom would get into it,
so my diary was always in my head.
- If my little girl, uh, snuck into my diary today,
I wouldn't want her to read half of it.
- Just don't go in the diary.
That's all I'm gonna say, just don't go in the diary.
- You know, if she gets to that "to be continued" ellipses part,
I think that she'll have a lot of hope in her heart
for, you know, what's to come.
- So me telling my 10-year-old self at 32 now,
just roll with it, girl. Just go.
Be grateful always, be thankful always,
and just let God take you on the ride.
Creation for people are driven from within.
- WOMAN: She loves something if it's a story.
- I think we have a unique opportunity
to use this concept in a way that hasn't been done before.
- Let's talk about that chick. (laughs)
Rihanna the creator.
- I don't think about this pink in lingerie ever.
Inspiration can come from anything.
What makes it unique is your own interpretation on that message,
that color scheme, that texture,
and so everything that I do is gonna be personal to me,
when it comes to Savage, especially, but...
I want to kind of establish that as something core to the brand.
I think we should make...
- DENNIS LEUPOLD: I think she's very, very observant
how beauty, how make up, how styling affects
how people react to you.
- WOMAN: ...tone pink, but more--
- RIHANNA: We gain inspiration from everything that we're around,
and we have just been blessed to have the opportunity
to be around a lot of different experiences,
a lot of different cultures,
and we try to take advantage of all of those experiences.
- OMAR EDWARDS: When you travel the world and you experience
these different countries and cultures,
you reflect that in your daily life.
- RIHANNA: Whether it's Japan or Paris or the U.S...
Wherever I see a fabric,
the first thing I want to do is touch it.
And I get into a lot of trouble at museums because of that.
Whether it's a shoe, or whether it's a piece of fabric on a tablecloth,
she has that eye that spots beautiful aesthetics,
and sometimes imperfections and makes them into
this global sensation.
(indistinct chatter)
- This was screaming, it's so fresh and perfect.
- You can really see her come to life
when she works on something and it gets her excited.
- I love the hot pink.
It's so fucking dope.
- EMILY WHITEHEAD: It's like tapping into, like, the fun side of design.
If you try too hard, then it becomes stale.
But if it's kind of spontaneous and fun,
it works.
- RIHANNA: And I'm the number one customer so--
- WOMAN: Same. Same.
- So what the fuck is it, then? Savage X Rosales?
- Do I get number two? - (laughing)
Can I at least be number two?
The experience of fabric is completely different.
Seeing it and feeling it,
you can't really grasp how beautiful fabric is
until you come into contact with it personally.
This is amazing. This feels so good.
I get to see fabrics, I get to experience them,
I get to say this is tacky, this is gonna itch,
this is gonna not feel great on our bodies.
By the time it becomes produced,
you get to see it in its full realm,
you get to see it perform, you get to see it move,
you get to see it lay on the body.
- EMILY WHITEHEAD: She has a lot of experience
having couture garments fitted on her, lingerie,
and so she can just look at something really quickly
and just know exactly what it's gonna do.
- We need the curve to marry in front. - WOMAN: Okay.
- And that kind of steers us and makes it better,
but also makes it hers.
She puts her stamp on it.
(no audible dialog)
- MAN: It comes across and it tells a story.
- WOMAN: It's so good.
♪ She makes me think of lightning in skies ♪
♪ Her name, she's sexy! ♪
♪♪
♪ Shake it up ♪
♪ Shake it up, girl ♪
♪ Shake it up ♪
♪ Bass ♪
♪ Hey! ♪
♪ Shake it up ♪
♪ She makes me think of lightning in skies ♪
♪ Her name, she's sexy! ♪
♪ How else is God supposed to write ♪
♪ Her name, she's sexy! ♪
♪ Move ♪
♪ She wants to move ♪
♪ But you're hogging her ♪
♪ You're guarding her ♪
♪ She wants to move ♪
♪ But you're hogging her ♪
♪ You're guarding her ♪
♪ Damn ♪
♪ Mister! ♪
♪ Look at your girl ♪
♪ She loves it! ♪
♪ Look at her ♪
♪ I can see it in her eyes ♪
♪ She ♪
♪ Come here babe ♪
♪ Hopes this lasts forever ♪
♪ Hey! ♪
♪♪
♪ Her off beat dance makes me fantasize ♪
♪ Her curves ♪
♪ She's sexy! ♪
♪ Her ass is a spaceship I want to ride ♪
♪ Her ass ♪
♪ She's sexy! ♪
♪ Move, she wants to move ♪
♪ But you're hogging her ♪
♪ You're guarding her ♪
♪ She wants to move ♪
♪ But you're hogging her ♪
♪ You're guarding her ♪
♪ Beat it! ♪
♪ Mister! ♪
♪ Look at your girl ♪
♪ She loves it ♪
♪ I know you love it, girl ♪
♪ I can see it in her eyes ♪
♪ She ♪
♪ Hopes this lasts forever ♪
♪ Hey ♪
♪ Hey! ♪
♪♪
♪ Ehh, this is your part girl ♪
♪ Uh, this is your part, girl! ♪
♪ She wants to move ♪ ♪ C'mon! ♪
♪ Oww!♪ ♪ Move ♪
♪ She wants to move ♪
♪ Man, move ♪
♪ She wants to move ♪
♪ Move ♪
♪ She wants to move ♪
♪ But you're hogging her ♪
♪ You're guarding her ♪
♪ Beat it! ♪
♪ Mister! ♪
♪ Look at your girl ♪
♪ Damn ♪
♪ She loves it ♪
♪ I can see it in her eyes ♪
♪ She ♪
♪ Hopes it lasts forever ♪
♪ Hey! ♪
♪ C'mon ♪
♪ Mister! ♪
♪ Look at your girl ♪
♪ She loves it ♪
♪ She wants it ♪
♪ I can see it in her eyes ♪
♪ She ♪
♪ Hopes it lasts forever ♪
♪ Hey! ♪
♪ Somebody give us some water in here ♪
♪ Shake it up ♪
♪ Shake it up, girl ♪
♪ Shake it up ♪♪
♪♪
- Savage X Fenty.
I go by the name of Mustard and, uh,
since we in Los Angeles, California,
I felt it was only right
that I do something special with my family.
Let's do it.
♪♪
Ella Mai.
♪ I don't wanna mess this up ♪
♪ Could it be too much to say I'm in ♪
- New shit.
♪ Deep in, swimmin' in my feelin's ♪
♪ I been here before but it feels like I'm ♪
♪ Sinkin', am I over thinkin' ♪
♪ Through this to think you need me here ♪
- Talk to it.
♪♪
♪ I wanna do this again ♪
- Yeah.
♪ I'm goin' down 'cause I know that it's you ♪
♪ I see in my dreams ♪
- That's right.
- ♪ Goin' down, let me drown over you ♪
♪ Living in my dreams ♪
- Here we go, here we go.
♪ I love the way you do it,
♪ Don't stop, don't wanna lose it ♪
♪ I love the way you do it to me ♪
- That's right, that's right.
♪ I love the way you do it ♪
♪ Don't stop, don't wanna lose it ♪
♪ I love the way you do it to me ♪
♪ But ♪
- That's right.
♪ I don't wanna mess this up ♪
♪ Could it be too much to say I'm in ♪
- She's--
♪ I just wanna know what's up ♪
♪ Do you feel it, 'cause I think I'm in ♪
♪ Love ♪
- Like I said,
we in Los Angeles, California, tonight.
It's only right that I do this with my brother.
We'll make a movie out here tonight,
you know what I'm sayin'?
- Roddy. - Yeah, yeah.
- Here we go. Three, two one, go!
♪ I put the new Forgi's on the G ♪
♪ I trap until the bloody bottoms is underneath ♪
- Why? - ♪ 'Cause all my niggas got it out the street ♪
- That's right. - ♪ I keep a hunnid racks inside my jeans ♪
♪ I remember hittin' the mall with the whole team ♪
♪ Now a nigga can't answer calls 'cause I'm balling ♪
♪ I was wakin' up gettin' racks in the morning ♪
♪ I was broke now I'm rich, these niggas salty ♪
- No, no, no, we gotta do some of that other stuff.
We at a fashion show.
The high fashion, the highest of highest fashion.
- Yeah. - You know what I'm sayin'?
- Yeah. - Here we go.
♪♪
- Let's do it. Yeah.
♪ Shawty made that ass clap, she don't need no applause ♪
- ♪ Whoa ♪ - ♪ High fashion ♪
- ♪ Whoa ♪ - ♪ Like Goyard ♪
- ♪ Yeah ♪ - ♪ G-Wagen ♪
- ♪ Yeah ♪ - ♪ Or the Rover ♪
♪ I put some ice on you 'cause you got a cold heart ♪
♪ I know I gotta keep my shawty on go, go, go ♪
- Break it down. - ♪ Drop that ass to the floor-floor ♪
- Break it down. - ♪ Ahh, whoa ♪
♪ You ain't gotta deal with none of these niggas no more ♪
♪ Come on, come on, come on, come on ♪
♪ If we hop in the Benz is that okay? ♪
♪ Is it okay if I call you my Prada bae? ♪
- Is it okay? - ♪ I ain't no player, I just got a lotta baes ♪
- That's right. - ♪ But let me tell you, I like you a lot, bae ♪
- Yeah, yeah. - ♪ I wanna start at the top and the bottom, bae ♪
- Yeah, yeah. - ♪ Know you want the shoe with the red on the bottom, bae ♪
- Okay. - ♪ You know I like when you ride at the top, bae ♪
- Talk to 'em. - ♪ She want Chane'-ne', Dio'-o'♪
♪ I'm only doin' cash, I don't need promo ♪
♪ I pull up to the high rise, I'm in the four-four ♪
- What you say. - ♪ The inside's cocoa ♪
♪ If I got a feelin' I keep it inside my heart ♪
- Inside my heart. - ♪ And I keep a Patek, too, 'cause I don't do facades ♪
- That's right. - ♪ You can see my diamonds even when I'm in the dark ♪
- That's right. - ♪ And since you got it ♪
- ♪ You go and make it do anything you want ♪ - One more time, here we go.
♪ Shawty made that ass clap, she don't need no applause ♪
- Yes, sir. - ♪ High fashion ♪
- Like what? - ♪ Like Goyard ♪
- Yes, sir. - ♪ G-Wagen ♪
- What else? - ♪ Or the Rover ♪
- Okay. - ♪ I put some ice on you 'cause you got a cold heart ♪
♪ I know I gotta keep my shawty on go, go, go ♪
- Break it down. - ♪ Drop that ass to the floor-floor, yeah ♪
- Break it down. - ♪ Ahh, whoa ♪
♪ You ain't gotta deal with none of these niggas no more ♪
♪ Come on, oh, oh ♪
- Once again, I go by the name of Mustard.
I'm from Los Angeles, California.
That was Ella Mai. That was Roddy Ricch.
Thank you.
- RIHANNA: I feel like a true bad bitch comes to life
whenever she puts an outfit on.
If I could switch, getting new personas
is creating new avenues to expand.
It really is inspiring to me how you can use
colors, paint, make up, textures
just to embody whatever you want to.
I watch drag queens do the same thing
when they draw on their lips and all of a sudden
their entire demeanor changes.
You can see the confidence, you can feel the confidence.
There's a huge emotional attachment to that,
and there's an empowerment within that.
- MAN: We all have multiple personalities.
There's so many different parts of us
that are colliding and weaving themselves together.
That's powerful.
- CIARDA HALL: I changed my hair all the time growing up.
Dyed it blond, dyed it orange, dyed it black.
- I want a pixie. No, I actually want to be blond.
- I always want my art and my fashion
to be where I express that evolution.
- I'm, like, fuck it. Just be you.
- Using make up and hair to kind of float through
all of genders and sexuality.
- Like, if I wear Burberry, I might feel classy.
If I put on some Doc Martens,
that might mean I'm about to kick a bitch in her face.
- Fashion is just an extension of expression.
It's your very first impression, you know,
that you give and get from people.
It's fun to watch artists like Rihanna
do it so effortlessly.
That's what being a creative
and being a shape shifter is all about.
Rihanna's the queen of it.
- She has so many personas and roles in her,
and the sexuality is elegant.
They're all part of her personality,
and she can, like a chameleon, go from one to the other.
- Oh yes, it's a mood thing for me, girl.
It's a mood thing always.
- MAN: Rihanna is somewhat demure.
She's super, like, reserved and chill,
and those are sides that people probably will never really see
unless you, like, knew her.
She's Robin.
It all about the mood.
- So much inspiration
comes from my mood in regards to my fashion.
If I'm feeling lazy, I'm gonna wear
the biggest hoodie, the biggest sweat pants.
And be just as bummy as I would feel
when I'm not feeling my prettiest.
Whatever makes you feel the best just go for it.
Like, we've all been there.
♪♪
♪ Let me tell you 'bout this girl ♪
♪ Maybe I shouldn't ♪
♪ I met her in Philly ♪
♪ And her name was Brown Sugar ♪
♪ See we be makin' love constantly ♪
♪ That's why my eyes are a shade blood burgundy ♪
♪ The way that we kiss is unlike any other way ♪
♪ That I be kissin' what I'm kissin' ♪
♪ What I'm missin', won't you listen ♪
♪ Brown Sugar babe ♪
♪ I gets high off your love ♪
♪ I don't know how to behave ♪
♪ I want some of your Brown Sugar ♪
♪ Sugar ♪
♪ I want some of your Brown Sugar ♪
♪ Sugar ♪
♪ I want some of your Brown Sugar ♪
♪ Brown Sugar ♪
♪ Brown Sugar babe ♪♪
♪♪
♪ You love me ♪
♪ Especially different ♪
♪ Every time ♪
♪ You keep me ♪
♪ On my feet ♪
♪ Happily ♪
♪ Excited ♪
♪ By your cologne ♪
♪ Your hands ♪
♪ Your smile ♪
♪ Your intelligence ♪
♪ You woo me ♪
♪ You court me ♪
♪ You tease me ♪
♪ You please me ♪
♪ You school me ♪
♪ Give me some things to think about ♪
♪ Ignite me ♪
♪ You invite me ♪
♪ You co-write me ♪
♪ You love me ♪
♪ You like me ♪
♪ You incite me ♪
♪ To chorus ♪
♪ Ooh-ooh-ooh-ooh-ooh-ooh ooh-ooh-ooh-ooh-ooh-ooh ♪
♪ Ooh-ooh-ooh-ooh-ooh-ooh ooh-ooh-ooh-ooh-ooh-ooh ♪♪
- Displaying sexuality
has become something that's way deeper than surface for me.
- WOMAN: There are all different forms of
beautiful, authentic sexuality.
- RIHANNA: It's that empowerment
and wearing whatever the hell I want
however the hell I want to wear it.
For myself. Not even for anybody else.
- WOMAN: There's no book written how to be a woman.
♪♪
- RIHANNA: Sexuality is personal.
It is something that has to be owned or earned.
Sometimes it tainted because you've had horrible experiences,
or been robbed of your own power.
- PALOMA ELSESSER: Sexuality is inherently powerful.
It's kind of been co-opted
into a performance for someone else.
But sexuality is so deeply each of our own.
- GIGI GOODE: For me, sexuality is not for anybody else.
I am a virgin.
I mean, like, I love fooling around, don't get me wrong.
It just hasn't happened.
- You're not worried about nobody else feelin' you,
like, you're into your own fantasy, you know.
- I know, I turned 30 and I just like don't give a fuck.
Like-- (laughs)
- Sometimes I feel like I could get someone
because of my flair.
You know, she's cute. I'm, you know, a bad ass bitch.
- MAN: Sexuality is human. It's part of who we are.
It's what got us here.
- RIHANNA: It's your own divine inner power,
whether it's finding it,
whether it's sharing it,
or just being it.
♪♪
♪♪ (woman singing in Spanish)
♪♪
♪♪ (singing in Spanish)
♪♪
♪ About your summer last night ♪
♪ Ooh, yeah ♪
♪ About your summer last night ♪
♪ Ain't give you no play, mm ♪
♪ Could I make you shive last night? ♪
♪ Could I make you shy on the last night, last night? ♪
♪ Could we make it in? Do we have time? ♪
♪ I'll be the boyfriend ♪
♪ In your wet dreams tonight ♪
♪ Noses on a rail ♪
♪ Little virgin wears the white ♪
♪ You cut your hair ♪
♪ But you used to live a blonded life ♪
♪ Wish I was there ♪
♪ Wish we'd grown up on the same advice ♪
♪ And our time was right ♪
♪♪
♪ Keep a place for me, for me ♪
♪ I'll sleep between y'all, it's nothing ♪
♪ It's no thing, it's nothing ♪
♪ Keep a place for me, for me ♪
♪♪
♪ Now and then you miss it ♪
♪ Sounds make you cry ♪
♪ Some nights you dance with ♪
♪ Tears in your eyes ♪
♪ I came to visit ♪
♪ 'Cause you see me like a UFO ♪
♪ That's like never ♪
♪ 'Cause I made you use your self-control ♪
♪♪ (vocalizing)
♪ I, I, I know you gotta leave, leave, leave ♪
♪ Take down some summer time ♪
♪ Give us, just tonight, night, night ♪
♪ I, I, I know you got someone comin' ♪
♪ You're spittin' game, know you got it ♪
♪ Yeah ♪
♪ I, I, I know you gotta leave, leave, leave ♪
♪ Take down some summer time ♪
♪ Give us, just tonight, night, night ♪
♪ I, I, I know you got someone comin' ♪
♪ You're spittin' game, know you got it ♪
♪ Yeah ♪
♪♪
♪ Would you be my friend, my freak? ♪
♪ She's art dealer chic ♪
♪ Would you be my friend, my freak? ♪
♪ Baby, these lips ♪
♪ Can't wait to taste your skin ♪
♪ Baby, come on ♪
♪ And these eyes, darlin' ♪
♪ Can't wait to see your grin ♪
♪ Ooh, ooh, baby ♪
♪ Just let my love ♪
♪ Just let my love adorn you ♪
♪ Yeah, baby ♪
♪ And you gotta know ♪
♪ You gotta know ♪
♪ Know that I adore you ♪
♪ Yeah, baby ♪
♪ Same way that the stars adorn the skies ♪
♪ Now ♪
♪ Look up, sugar ♪
♪ Now, hey, hey, hey ♪
♪ Same way that my whole world's in your eyes ♪
♪ Ooh, and it's time ♪
♪ Just let ♪
♪ Let my love ♪
♪ Ooh, ooh ♪
♪ Hey, le-le-le-let it dress you down ♪
♪ You got to know, baby ♪
♪ Oh, yeah ♪
♪ That I adorn you ♪♪
♪ Send my regards to the mother and father ♪
♪ 'Cause somebody's daughter I just fuckin' slayed ♪
♪ Blood on the carpet, it came from my heart ♪
♪ Once I start, I can't stop it ♪
♪ And now we are prey ♪
♪ Oh, set it up, keep rollin', rollin' ♪
♪ Drop it, baby, drop it like it's stolen, stolen ♪
♪ Oh, set it up, keep rollin', rollin' ♪
♪ Drop it, baby, drop it, like ♪
♪♪
♪ Body built for the beach ♪
♪ Do you got that ocean? ♪
♪ Body surf, don't sleep ♪
♪ Body surf on me, woman ♪
♪♪
♪ Do you got that ocean? ♪
♪ Body surf, don't sleep ♪
♪♪
♪ Wanna ride the wave ♪
♪ Yeah, baby ♪
♪ Wanna ride that wave ♪
♪ Yeah, baby ♪
♪ Uh, uh ♪
♪ Set it up, keep rollin', rollin' ♪
♪ Drop it, baby, drop it like it's stolen, stolen ♪
♪ Oh, set it up, keep rollin' ♪
♪ Rollin' now ♪
♪ Now, hey, hey ♪♪
- RIHANNA: When I imagine something,
I imagine everyone that I know and love
being a part of it.
I want to make stuff that I can see
on the people that I know,
and they come in all different shapes, sizes,
races, religions.
Whether that comes from my household and my childhood,
to the circle of family that I've created around me.
I really care that they be a part of what I do.
- Not everyone's the same. You have a slew of people
that you love and enjoy and admire,
and when she creates anything,
she thinks of all the people in her life.
- The beautiful thing about Rihanna is that
she's a global artist, and she includes everyone.
- She kicked the door down and she opened up the world
to all these possibilities of make up, fashion, lingerie,
all that being for every size, every shape.
That's some, like, ballsy, powerful shit.
- MARGIE PLUS: Found a community of creatives
that are pushing the boundaries,
and showing that that uniqueness, girl,
is what you need to start with.
- JENNIFER ROSALES: To work on something and love it is enough,
but then to have it received globally the same way is just...
next level.
- WOMAN: We are strong women and strong men--
- RIHANNA: Inclusivity for me
has always been something second nature.
It's not anything I really think about.
- I would never have thought Rihanna
had sizes that would fit me.
I asked her and she said yes.
- RIHANNA: I didn't think it would be
such a talking point after the fact.
The only thing I could think about was including everyone.
♪♪
♪ Sim'e mnyango ♪
♪ You need to open the door ♪
♪ Sithi nkqo nkqo nkqo nkqo ♪
♪ Ey yo ♪
♪ Sim'e mnyango ♪
♪ Sim'e mnyango sim'e mnyango ♪
♪ You need to open the door ♪
♪ Open the door, open the door ♪
♪ Sithi nkqo nkqo nkqo nkqo ♪
♪ I am the zef kid ♪
♪ Future baby on that next shit ♪
♪ Got you feelin' all warm and fuzzy 'cause I blessed it ♪
♪ With all my love and affection ♪
♪ Every time I bust it ♪
♪ They say you fuckin' crushed it ♪
♪ I am the softest ♪
♪ But I still jump on the mic and spark a fuckin' mosh-pit ♪
♪ We represent The House of Zef ♪
♪ Rock "Fuck you hater" chains around our necks ♪
♪ Every time we spit, it sound so fresh ♪
♪ Keep hearing our voices inside your head ♪
♪ We represent The House of Zef ♪
♪ Rock "Fuck you hater" chains around our necks ♪
♪ Every time we spit, it sound so fresh ♪
♪ Keep hearing our voices inside your head ♪
♪ What am I? ♪
♪ What am I, what am I, what am I? I am the one ♪
♪ Who finks u freeky and I like you a lot ♪
♪ I am a trip, I have a gift ♪
♪ I am the fuckin' shit up in this bitch ♪
♪ Yip is fuckin' it ♪
♪ Sim'e mnyango ♪
♪ You need to open the door ♪
♪ Sithi nkqo nkqo nkqo nkqo ♪
♪ Ey yo ♪
♪ Sim'e mnyango ♪
♪ Sim'e mnyango, sim'e mnyango ♪
♪ You need to open the door ♪
♪ Open the door, open the door ♪
♪ Sithi nkqo nkqo nkqo nkqo ♪
♪ Sithi nkqo nkqo nkqo nkqo ♪♪
♪♪
(alarm blaring)
♪♪
♪ Oh, my God ♪
♪ Do it on the beat ♪
♪♪ (singing in Spanish)
♪ Do it on the beat ♪
♪♪
(applause)
(cheering)
♪♪
- MAN: I ain't got all day.
- MAN #2: Oh, that's okay. What's he doin'?
- MAN: Come on, man, don't be slow rollin' Get the pallet, bro.
Yeah, act like you been here before, right?
Hey, yo, man. Come on, get that out the way, bro.
♪♪
(indistinct chatter)
(chatter continues)
- No bet, no bet, no bet. Ey, yo, Francois, man,
we need about a hundred of them things in the freight, man.
We supposed to go, man.
♪♪
- Got all day.
Hey, how many times I gotta tell y'all, man?
(indistinct dialog)
- Hey, watch that!
Watch that! Y'all gonna hit that!
Man, we need about two more of them, bro!
Hey, man, let's go, bro.
Let's go, bro.
(indistinct dialog)
(laughing)
♪♪
- No, no, no, no, no, no! What y'all doin'?
(whooping)
♪♪
♪ Yeah ♪
♪ Yeah, yeah, yeah ♪
♪ Mm-mm, mm-mm, mm-mm, mm-mm ♪
♪ Let's go ♪
♪♪
♪ Yup, in my white tee ♪
♪ Yeah, call up Hype Williams for the hype, please ♪
♪ They gon' wipe you before you wipe me ♪
♪ On boxes of checks, not my Nikes ♪
♪ Eh ♪
♪ Ain't no Ice-T ♪
♪ Got 'em bamboozled like I'm Spike Lee ♪
♪ You need more than Google just to find me ♪
♪ I just called up baby, get a hi-fee ♪
♪ Ooh ♪
♪ Incredible ♪
♪ I just start the label just to sign me ♪
♪ Me and CHASE connected like we Siamese ♪
♪ We been on the run, felt like a crime spree ♪
♪ Talk to me nicely, I seen his face, seen it ♪
♪ Yup, on his white tee ♪
♪ Yeah, yeah, call the Sprite people ♪
♪ Call 'em, hol' on ♪
♪ Private flight franchise, sight see ♪
♪ Popped 'em in his hands, he was typin' ♪
♪ Caterpillar 'Rari, I thought I'd lift it up, up ♪
♪ I went on the stand, told the judge to pass my cup ♪
♪ Ran up 20 million, told the devil keep the luck ♪
♪ Keep the, keep the hot, get popped, keep smoke ♪
♪ Ayy, slick, talk to me nicely ♪
♪ Keep her on the chain, that ain't like me ♪
♪ Scotts with no strangers, you can't touch me ♪
♪ Yeah, I'm higher than a plane, I'm where the sky be ♪
♪ Yup, in my slime tee ♪
♪♪ (indistinct lyrics)
♪ Yup, in my white tee ♪
♪ Yeah, call up Hype Williams for the hype, please ♪
♪ They gon' wipe you before you wipe me ♪
♪ On boxes of checks, not my Nikes ♪♪
♪♪