(film reel ticking)
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(dramatic music)
- [Sydney] Extremism is a thing
that most people don't understand
because they don't live an extreme life,
they live day-to-day going to their jobs
and being with their friends
and taking care of their families
in their small towns with their two cars and their dog.
Extremism to them is-- - Ding dong, ding dong.
- Hey Fred, what's up?
- [Fred] Able, how are you doing?
- Fine, fine, good, what's up?
- Works okay?
- Yeah, yeah, just the usual thing, what's up?
- Well, I have some pretty exciting news, you ready?
- Sure.
- You sir were chosen for a field op.
May I?
- Oh, yeah, yeah, I thought--
- A field op, yes, it turns out one of our sister agencies
needs completion and bing bong you were chosen.
Pretty exciting stuff, huh?
And it's very, very low-risk,
you're just getting your feet wet
and there's nothing to worry about.
- You're sure?
- If I was you sir, I wouldn't ask so many questions.
You're now in the fold.
- I really, I never--
- Don't even worry about it, okay.
All you're doing is dropping of a simple package,
blah, blah, blah, blah, blah,
and you'll be home in time for dinner.
Your work's outstanding Able.
This is nothing really, it's just routine.
- It's everything to me Fred.
- That is why I like you,
that is why I like you so damn much.
Did you make this?
- [Able] You know I did.
- If I could just see the world through your eyes,
I'd be better man.
That is why I keep you around sir.
Just check your email
and we'll see you in the morning, okay bud?
- Okay.
- Put me the game coach.
Have a good one.
(dramatic music)
- [Sydney] We're live with award winning host Sydney Beale.
Ignorance is bliss for those who are ignorant
but for the rest of us it's a pain in the ass.
I want ya to tell me what you think is going on
'cause what you think is going on,
what you believe is going on
is not what's really going on it's what you think.
- [Group] Fuck Donald Trump, fuck Donald Trump,
fuck Donald Trump.
- [Sydney] Don't tell me you're right when there's a fact
out there that says many times over you're wrong.
And what's happened is people think things
and then all these other thousands of people say,
"Oh, yeah I think that too."
And then they create websites,
and they create newspapers online,
and they write articles, and they know their audience,
and they appoint these things to their audience.
It's not true but that doesn't matter.
What you think, what you believe,
what you want to think is true,
is true to you.
If you wanna believe it, it's not a fabrication.
But you know what is,
things that aren't true are not factual.
(sirens roaring)
They're just not curious.
(group chattering)
But it's important to be curious for everybody else.
I don't I have $49,000 laying around do you?
And having a lack of interest in finding out what's real.
Same thing as running the scissors.
- [Able] Hey buddy, how are ya?
- Ah, is that it in there?
- Yeah, yeah.
- Hey, hey, hey, hey, hey!
You know what's in that.
I'm making you nervous. - Yeah, you're
making me nervous, yeah.
- I think we need to get this done.
- And we will. - Oh yeah.
- And we will.
Hey wait!
No, no, no. - Give it here.
- [Able] Let go, it's not right.
- [Buck] Are you listening?
- [Evelyn] Yes, I can hear you.
- [Buck] I'm not asking if you can hear me.
Are you listening Evelyn?
- [Evelyn] Yes sir, yes I am, I am sir.
- [Buck] When I came to you and your people,
I was told this would be open and shut.
- I-- - Stop.
I know the private sector pays more
than your old gig in Washington but it pays more
because it demands attention and discretion.
Do not forget that I can cut this little inflection
of yours in half and send you back
to fucking mail room in Langley, understood?
- Yes sir, absolutely.
Fuck!
- (mumbles).
- [Able] Hey, hey, hey, hey, hey, hey.
- What the fuck!
Jesus Christ!
Got a quarter? - I'll give you five bucks
for your coat.
- Fuck out of here!
- 10, 10, 10, you can have mine.
- This ain't a auction motherfucker.
- All right, all right, I'll give you 52, $52.
- All right. - Yeah, yeah, yeah.
- It's your money.
- [Able] Oh my God.
- [Homeless Man] It's a pretty good coat.
- Here you go, thanks.
Oh God.
- It looks good.
There you go.
- Oh, oh. - Jesus Christ.
Jesus Christ, get your shit together.
That's kinda disgusting.
- Oh fuckin' shit. - Hey you got
a quarter brother?
- [Sydney] Back to KYXK's 48 hour marathon,
the best of counter intelligence.
Al right we're live.
The show that goes deep into the hood of the nation today.
Ignorance is bless for those who are ignorant
but for the rest of us it's a pain in the ass.
Like a baby boomer
(mumbles) me but I feel like I've been left behind.
I feel like everything's moving on without me.
I feel like modern times have not included me.
I feel like (mumbles).
- Yeah, yeah, far enough.
- Are you eating?
- No.
- Ed. - Yeah.
- We need to un-fuck this, that's your job.
Now I want you to tell Jay.
- Yeah, she says, "We gotta take care of this thing."
- [Evelyn] My exact words.
- Said, "That it's, that we need to un-fuck this thing."
- Now ask him if he understands?
- Make sense?
Yeah, he says yeah.
- I wanna hear his fucking voice.
(voice echoing)
- [Sydney] Or if it's far enough away so you get in your car
and you drive--
- She want's you to say it.
- [Sydney] But it's Sunday, they're closed.
- We gotta un-fuck this.
- [Sydney] They have the entire.
- It's your job.
- [Sydney] With keywords in there (mumbles).
- Fuck.
(dramatic music)
- [Angela] Look listen, stop talking okay.
I'll be there.
- [Sydney] We're not trying very hard you know why,
we made it too easy.
Smartphones are great for (mumbles)
dumb people can have 'em.
- (mumbles) you need to chill, both of you
so I'll be there and everything's gonna be fine,
everything'll be fine Dave.
All right. - Yeah, yes.
- This is my life.
I'm still on my way.
This is my fucking life.
Still, yeah, still driving.
Keep cool, keep cool, keep cool, you can do this.
When do I get to not do my job right?
Suck it up, do the fucking job, suck it up.
When do I get to just kick back and fuck up?
(mumbles).
I am so sorry it will not happen again.
I will send it as soon as I am able to.
Yeah, I'm on my way.
I will, yeah, mm-hmm, almost there.
Fuck you, you're okay.
- He wants flowers and instant oatmeal Angie okay.
- Yes I will do the sheet again, mm-hmm, okay, buh-bye.
Bitch.
What kind of flowers?
- He does not give a shit.
- I give a shit okay.
This is my job Dave not yours
so the least you could do is have some fucking empathy
'cause I'm out here.
I'm out here, my ass is on the line not you
or that rat faced motherfucker.
Double my pay or (mumbles) fucking assistant
you fucking (mumbles).
- Angela.
- Be there in 25.
(crying)
I can't do this, I just can't.
Thank you so much.
Yeah, have a good day.
(screaming)
- Hey so-- - Come on what?
- I am the worst. - What?
- I'm sorry, you gotta go back.
He wants, he wants sunflower seeds, cake,
he wants some chocolate cake and a bag of peanuts.
Sorry.
- [Angela] Is this for him or for everybody?
- I honestly, I don't know.
Sorry, thank you.
- Dick.
Do you wanna like take this stuff in?
- I don't think he needs it.
(screaming)
- [Sydney] Speak out because of the First Amendment right
you (mumbles) say anything you wanna say
whether it's a swear word or not,
you can say it because you live
in the United States of America
and that's part of the rules
you get to say what you really think.
- The worst people on the fucking planet.
- Janet, Janet is that you?
- Excuse me? - Janet, yeah.
- What are you doing?
What are you doing, what are you doing?
- I'll shoot you, I'll fucking shoot you.
I swear to God I'll shoot you.
Act natural, just be calm, all right,
or I'm gonna fuckin' shoot you unless you get in the car.
I'm gonna get in the backseat and you're gonna drive okay.
So don't fuckin' fuck around here, get in the car,
right fucking now get in the car,
get in the car, get in the car now.
Come on, come on, come on.
- Just take it. - I don't want it.
Get in the fucking car okay.
I'm sorry just I need you to get in the car and be quiet.
Put your fuckin' hands down.
Put your hands down, act normal, act normal okay.
Come on, get in the car.
Come on, get in the fucking car now.
That's it, go, go, go.
Don't be fuckin' stupid. - So much.
- Hurry the fuck up.
What are you doing?
- (mumbles).
- [Able] Okay, lets go, come on let's go, let's go.
Come on, come on hurry up.
Come on, let's go, drive, come on, come on.
- Where?
- [Able] Just fuckin' drive get us out of here now.
Come on.
- [Angela] Okay, okay, okay.
- [Sydney] The people that already here right.
- [Able] Fuck!
Fuck!
- [Angela] I'm sorry, I'm sorry.
- [Able] Goddammit these things go off.
Do you want that?
I don't want that.
- Okay, I'm sorry, I'm sorry. - Okay, go.
- [Angela] I'm sorry.
- [Able] Fuckin' drive.
Cautiously but quick.
Act normal. - Okay.
- Don't look at me.
All right, what street is this?
- [Angela] 20.
- Other way. - What?
- [Able] Other direction east west, what street?
- Bradley.
- [Able] All right keep going.
- [Angela] Should I cross the bridge?
- [Able] How far is that?
- [Angela] Like two and half miles, I don't, two.
- [Able] Jesus in minutes, how many minutes.
- [Angela] Like five to 10, depends on traffic.
- [Able] Okay, good, good, quick, right specific.
The scarf on your face, what's the deal?
Come on.
- [Angela] Nothing just no reason.
- Come on you're attracting attention.
You look like Malala take it off.
- You smell. - What?
- [Angela] Fucking bad, you smell so bad.
I'm so sorry, you smell terrible.
- It's the coat,
it's this coat I took it off a homeless guy.
I mean I got it, I bought it.
Can you please just take the scarf down now?
- Can I just put the window down?
- No, scarf down now. - Okay.
- Wait, stop, stop, stop, stop, stop
no God, are you? - I'm sorry.
- Watch where.
No, no, no, no, no.
Oh fuck, oh goddamn, oh god.
- (mumbles). - Goddamn.
Come on.
Fuck.
Fuck, are you, fuck are you, are you,
stop waving, stop waving.
Fuck.
- I'm sorry it's just that smell it's terrible.
Can I just roll-- - No, you cannot
roll the window down.
- It's smells worse now.
- No shit okay.
Look we need to get off the road.
- Are you?
- What?
- If, listen if you're going to try and rape me
I'll roll the fucking down and scream I don't care.
- Jesus Christ I'm not gonna do that.
Why the hell would I?
Fuck no, I'm not gonna rape you.
I'm not a rapist.
- Why are you here?
- Hey, hey, hey-- - Why the fuck
is this happening? - Hey, I'm trying
to be tough too, okay let's just get through this.
- I was just-- - How far do you
live from here?
- Fucking peanuts and you have a gun.
Why do you have a gun?
Why are you in my car?
Who are you?
- Angela, calm down.
- I'm really fuckin' scared.
- Me too.
Peanuts, you said you had peanuts.
- What?
I'm just, snacks, snack food stuff for my work, my work.
- Look I need to eat something.
I need to get my blood sugar under control okay.
- I need to get back to work
because this is not the best time right now
I'm kind of having trouble. - Angela, I need
to eat something, you're not going back to work.
Not like that, I'm mean you'll go back eventually
just not right, you know right away.
Look I'm asking nicely,
can I please take something out of the bag
and fucking eat it?
Angela, Angela.
- Yeah. - I need to eat
your work food.
Hey, hey, hey. - Yes.
- It's okay, take some deep breaths
you look like you're having a fucking heart attack.
- I think I might be.
- You're not having a heart attack,
what are you 21, 22.
- 26, thank you.
- You're not having a heart attack.
- It's earlier-- - Look just hand me
whatever's on top.
I said besides peanuts, no peanuts, anything else?
- I have Snickers.
- Peanuts.
- Like, I have an apple.
- Hand it back, subtle.
Okay, what else?
- Like M&M's, and pretzels, and Red Vines,
some muffins and chocolate cake,
and sunflower seeds, and soda.
- You're tiny, how do you eat this stuff?
- The people at my work they do, I don't,
and thank you again.
- You work with kids or something, that's a disaster.
- [Angela] Kinda.
- What like, you're like, like a teacher.
- Production.
- Like in a factory.
- No, no, just like videos, and photos, and advertising.
- Okay, how far do you live?
Look just answer me okay.
- Not that far.
- [Able] Alone?
- Alone, yeah.
- Okay, just get us going here
and don't do anything stupid
like pull into a police station, okay.
All right, you ready?
- Just give me a second please.
- Production, I don't know what's that like?
- What?
- I'm trying to make conversation,
you wanna sit in silence?
- Are you serious?
- Fine, if you don't wanna talk then,
(phone buzzing)
what's that?
- Shit, it's my phone.
- Don't answer it.
- It's Dave. - Leave it.
- He's gonna, he's gonna think something's,
something's wrong. - I don't give a shit.
- I've never been late.
- Yeah, well I've never done this before
all right. - I'm not bullshitting you,
he's gonna keep calling
and he's probably gonna call the cops.
- Are you fuckin' around, why?
- 'Cause he's just covering his ass.
- All right, all right, all right, all right, all right,
put it on speaker.
Hey, no fucking around.
- Dave.
- Angela, hey girl what's going on?
- I'm just, I'm...
I'm not feeling well.
I, I think I got sick or something.
Dave.
- You sound pretty good for someone that's sick.
I mean I know, I know people sound different
when they're sick but you know,
you're kinda running late here.
- It's my stomach.
- Where are you right now?
- Yeah, I'm going home.
I was about to call you.
I need to-- - Angie.
- Go home. - We need that food.
Talent is just standing by, we're all just standing by.
We need you here, we can't get started
on the first frame till you get here.
- Yeah. - Understand me.
- I, I, I, I'm not coming in Dave.
- Is it the flu?
- I really don't know.
You know maybe it's food poisoning
or something, I'm not really sure.
- Are you vomiting?
Do you have pain?
- Yeah, actually I am.
Are you fucking serious Dave?
- Okay, I am so, so sorry, that was way over the line.
That is my bad, I am so sorry.
It's just that we're, Marianne just keeps asking,
and asking, and asking, and asking.
Look I know this is probably just a huge inconvenience
and I'm sorry but I just have to ask,
is there anyway you can just swing by
like on your way home.
That might be way over the line
but I just wanna put my feelers out there see where we are.
You know I, let me know, say hey Dave,
if I'm overstepping just say, hey man back off I get it.
Ang.
- You know, I can't, I'm sorry,
I'm really not feeling well, okay.
- Okay, okay, okay.
No I totally get it, totally get it,
you need that toilet time.
You take your time, you get better.
I will see what I can do, I'll talk to Marianne
no promises but you know I will do my best for you.
- Yeah, yeah, yeah, okay, okay.
- [Dave] Can we call you with questions?
- Sure.
- Thank you.
Angela, thank you.
- What the fuck!
- Angela.
- Why did you do that?
- Stop it. - I'm gonna lose
my fucking job. - Stop it now.
- Hail Mary full of grace, the Lord is with thee.
- Fuck that guy.
Let's go home.
(dramatic music)
(phone ringing)
- [Fred] Fred Rush.
- Fred, Ev Goldwyn.
- Ev, how are you?
I meant to say you looked absolutely stunning
at Central Security the other day,
can I get a yeah, yeah.
- [Evelyn] Fucking mess over here Fred.
- [Fred] Yeah, well Evelyn it's difficult right now.
- I'm not calling to commiserate, okay.
- Right, well as I was saying it's all,
it's, right now it is-- - Solutions Fred.
- Everyone on our end is invested in,
we are working our hardest to--
- Wow, okay, how about an apology?
- Right, Evelyn well I'm sorry, we're sorry,
we're all very sorry.
- For what?
- For this Evelyn, for all of this,
I mean, I mean come on don't make me say it again.
- This was simple Fred
and your people, your unqualified little toddlers
completely shit all over it.
- Like I said we're very, very, very sorry.
- If I wanted children doing a fucking handoff
I would of paid my nephew
in a cellphone and a mountain bike.
- Okay just listen, I'm gonna need you
to just calm down there darling.
- Did you just say darling?
Is that what you said to me?
Wake up Fred, open your goddamn eyes
and start getting angry
and don't you ever condescend to me again.
- Evelyn, we're, we're just as distressed as you are.
We're frustrated.
(groaning)
It was entirely unnecessary.
- Fucking A. - Fuck.
But, but it was crazy, it was, it was, it was, it was,
we just didn't know.
I mean hell I don't even know the reason.
- Who is this guy and where, why?
- He's part of our team,
he does data management algorithms and shit, I don't know.
But or hands were tied, we are all tied up.
And have you talked to Phil?
- Leeds.
- Phil Leeds he was the one.
He came to us and he asked for four or five files on people
and we gave him the four or five files
or something like that.
And then he chose that individual.
- He made the call.
- He made the call, damn right he made the call
and he is one of yours.
He chose this guy, yeah.
So you should talk to Phil.
- I apologize for my tone.
- Sure, sure, sure, sure, sure, sure, sure.
And if you need anything in the future
don't hesitate to call Evelyn.
- Thank you. - Thank you, yes.
And yeah.
- In the event that we do collaborate again under duress
in this type of situation
just please try not to send me a list of bovines
who can fuck up a simple motherfucking hand off,
can you do that for me fucking Phil?
- Fred.
- Can you do that Fred?
- Yes.
(upbeat music)
(phone ringing)
- Hey Evelyn, how ya doing my dear?
- You remember the package delivery selects from Fred?
- Well, yeah sure I should, I think I do, S7112
- [Evelyn] Pull the file and send it to me.
- Oh sure I can do that.
But you know I'm in my office
if you just wanna scoot on over here we could--
- Phil. - Huh?
- If I see your stupid bald face
I will put it through a wall.
Just do it right now.
- Did I-- - Pull the fucking file Phil!
Fucking fuck!
Fuck, fuck!
- Hey there lady.
(light guitar music)
- [Angela] Jeff.
Man oh man, you know it's like,
it's like I never get to see ya anymore.
- Yeah, yeah, just working.
- Cool.
Yeah, me too, you know I just been all by myself,
you know just spinning 'em, sittin' and spinnin' 'em.
Hit it hard in the studio.
(laughing)
Yeah, I get it keeping it real, layin' 'em down.
What's, what's that, what the fucks that about?
- Oh, I, I, I, it's soup.
I spilled in the car.
- Ah. - Some soup.
- Shoot, pretty girl like you,
you got a image to maintain right.
I know you know.
(laughing)
I mean I'm not trying to give myself a tug
or nothing but you know, no stranger that's all I'm saying.
Must be just, shit, I'd eat your soup.
You know, you know like I said just been layin' 'em down,
keeping the dream engaged.
I just like to make love in my music you know.
When I play that guitar
I gotta play it like a, like a pussy.
Play that guitar like pussy,
bass so low, play that pussy.
Find that button and click it you know what I mean?
Just hit it, you know what I mean?
I up in the studio full engorged, engaged you know.
- I've gotta go to the bathroom.
I gotta go.
- Hey man, cool yeah.
Sorry about that I didn't mean to, Jeff, my name's Jeff.
Cool dude.
(laughing)
Right.
I gotta go too anyway, you know gotta go practice,
keep the machine wet in there and stuff
but you know I'd love to go
and grab that cocktail soon.
- Okay. - Yeah.
- Okay, okay, yeah. - I'd just like to hang out.
Saucy, saucy.
- Stay there.
You have a phone, a landline?
- [Angela] Yeah, next to the typewriter.
- Any other phones?
- No. - Bag, paper bag.
- Under the sink.
- Anybody else home in the building besides that asshole?
- I don't really know,
I mean Jeff's the only one here during the day usually.
He doesn't work.
- Who the fuck would work with that guy?
You guys have a thing or something?
- I mean not really.
(laughing)
Don't even, it wasn't a thing.
- [Able] Anything else I should know of?
- No, not that I can think of.
- [Able] Think harder.
- Nothing, honestly nothing.
- [Able] Okay, okay, I really have to go to the bathroom.
- I heard, it's back there.
- Yeah, well let's go.
Come on.
- What, no. - You're staying in my sight.
- Look-- - No, no, I'm sorry,
that's just how it is.
- No, I'm sorry, I'm definitely not going in there with you.
You fucking kidding me!
- Fuck.
Okay, I'm done, turn around.
- Do I-- - I'm done,
turn around please, I need some clean clothes.
- I don't have any.
- What nothing. - No.
- Nobody's ever left any-- - No.
- Behind ever. - No.
- [Able] I didn't mean it like that look--
- Nobody comes here okay.
Nobody leaves clothes here.
No boyfriends, no ex's, not him, nobody, all right.
I have puke all over myself, I need to change.
- Look I don't care. - I'm not gonna do anything,
all right, this is disgusting
and it is the least-- - Can you just--
- I'm not going to jump out of a two story window.
You can check that room, it's my room
where my clothes are, you can check it.
Just give me like two seconds, please.
- Okay, yeah, okay, okay.
Just pull people off desk huh, just like that.
Like that simple, like that fuckin' simple.
It's never that simple.
What do think that I don't know that?
They think I don't know that.
I'm some kind of fuckin' jackass.
I'm a jackass now.
- I don't want to-- - I asked you not to speak,
okay, so please don't speak, just don't.
- Look if I have to watch you pee--
- Hey, hey, hey, I never made you watch.
You never watched.
And I let you change your clothes so.
- I'm just saying. - To be fuckin' clear
you were never forced to watch, all right.
- What are you?
You rob a bank or something.
- I can't, no, no, no, no,
look I asked you not to speak, okay,
so please just don't speak.
That means, that means no questions, no answers, nothing.
That's more for you than for me all right.
- What's in the bag?
- Goddamn it, I don't know okay.
- What do you mean you don't know?
- I don't know.
I have no idea.
Jesus Christ, you're a real,
you know you should be, oh I don't know
maybe this tenacious with that fuck face boss Darren
of yours. - Dave's not my boss.
- Who gives a shit!
That moron on the phone.
Oh, oh what your job's just so fuckin' important
that you just let people walk all over you
and then lash out that first fuckin',
I mean come on use your head!
I'm, I'm not...
I'm...
I'm really fucked up here.
(dramatic music)
- [Sydney] Newspapers online and they write articles
and they know their audience.
- [Able] What are you doing?
- [Sydney] What you believe, what you wanna think is true.
- Hey buddy, how are ya?
So everything's, everything's good, great.
- Yeah. - Good.
Yeah, I'm loving this, loving this.
- [Able] Nice night out.
- Yeah, it is.
Is that it in there?
- Yeah, yeah.
- Okay, good.
Well are you gonna get it or you want me to get it or what?
- No, I can.
- Oh yeah, well your car, your rules.
Take advantage of it, go, bring it to me.
- Are you okay?
- Yeah, I'm okay.
I mean, you know, yeah, why wouldn't I be okay?
- Oh, you just seem, I don't know.
- I've just a little bit too much coffee
and past my bedtime, you know, kinda thing.
- So you a agency guy?
- Huh, why?
- Sorry I just, I heard this was sensitive.
- I know that.
- Look, I didn't mean to offend you, I'm just asking.
- Are you an agency guy?
- Yeah, I don't think, well I'm not suppose to say.
- Right, right, right, sure, sure, sure, sure, sure.
I tell you what, you know what,
I think we just need to get this thing done all right,
wrap it up, put a fuckin' bow on it.
- Yeah, okay.
- Okay good, great.
Won't ya get that done.
- Okay.
- [Able] Sorry this is happening.
Sorry. - Yeah, yeah right.
Are you fuckin' kidding me?
Hey, hey, hey, hey, hey, you know what's in that?
- No. - Of course you don't.
Bring it over here to me.
So hey, let's get this done.
Whadda ya say buddy?
- Yeah, you know what, let's, hold on a second,
I'm just gonna give my boss a call okay.
- Oh no, no, no, no, no, no,
just don't call right now.
We've gotta get moving, I gotta get out of here.
- I'm sorry but-- - No.
- Something just feels a little off.
- You're not gonna-- - Hey I'm sorry
but you're just making me, you're making me nervous okay.
- I'm making you nervous. - Yeah, you're making nervous,
yeah. - God almighty you're the one
that got all this blinking weirdness going on.
- What? - This coughing and--
- What coughing? - And that's the--
- What are you talking about? - Blinking I'm taking about
right there. - What are you talking about?
Listen-- - That's weird.
- I'm gonna call this in-- - You're just weird.
- [Able] It's only gonna take a second.
- Just plain weird. - Just stay,
just stay right here okay.
Look it's gonna be simple. - No, no--
- It's gonna be fine. - It's not gonna be.
- I'm just gonna-- - I don't think so no, no.
I think we need to get this done.
- Yeah and we will.
- Oh, yeah. - We will.
What, no, no, no! - Give it here!
What the hell is wrong with you?
Let go. - Let go, it's not right.
- Are you nuts? - It's not right!
No, give it, go!
No, no, no, no, no.
This isn't right! - Are you nuts?
- This isn't right.
No I'm not nuts!
(groaning)
(fist thuds)
- Fuck!
Oh great.
- [Evelyn] Are you fuckin' kidding me?
Page nine.
- Ev, love the dress, looks great.
- Have you seen this file Phil?
- Well it might of been sent over by that B group
that I was working with,
they're very orderly over there.
- Did you read all of it by chance?
- That's our job.
You gotta tell these young guys
'cause sometimes they don't listen.
They just power through but not me.
- Oh yeah. - You can count on old Phil.
- Do me a favor Phil. - Sure.
What do you like?
Let see here, I see so many files.
- Second paragraph last sentence.
- Oh. - Read it.
- Mr. James has recently been identified to suffer
from diagnoseable attributes of manic behavioral disorder
evidence, sorry cold.
Oh evidence by bouts of semi severe paranoia,
manic episodes predominantly prompt temporary blackouts.
Mr. James should be indefinitely
considered unfit for field work
in any capacity and should only be assigned to class one
or below office related tasks until further treatment.
Oh, so he's not.
So that's probably not, probably not, what--
- Not good.
- Well, I didn't see that, all of that in my initial--
- You didn't. - Analysis.
No, no, not completely, no.
- Not completely.
- Yes, no.
- You figured out at the five.
- Well I assumed it would be okay.
He seemed, he seemed qualified.
Well low-risk qualified.
I mean well I don't want to,
I try to avoid discrimination, generally speaking.
Is there a problem?
- Would I be standing in your office
looking at your stupid bald face
if everything was okay Phil?
- No, I mean, probably not, no, no need to.
- Are you fuckin' kidding me,
you knew that was there, you read that
and you chose this idiot! - Well,
I mean I kinda spot checked it.
- Your job is the only job in the country
where discrimination is a fucking requirement.
- I did the best with, it was rushed, I'm sorry.
It was just thrown together.
- You know what happens now?
What happens now is that I get to visit
an appointed official, an elected servant of the people.
You get to sit here
with your shriveled little fucking penis
all because you refuse to discriminate
because you're a lazy incontinent, incompetent fucker.
- I don't think you can talk to me this way Evelyn.
- Fuck you Phil, that's what I think.
- He seemed fine.
- No, no, no, no, we don't make mistakes Phil.
- Well you're saying-- - So now you're gonna
extricate yourself while you can still get a hard on,
you're fucked. - Yeah.
- You're fired, pack your shit.
- This is wrong, this is crazy.
- Yeah, it is crazy, crazy rises, stupid drowns.
Buy a fucking wetsuit.
(dramatic music)
- Numbers that's it, numbers, numbers, numbers,
numbers and numbers and information,
numbers and information, numbers, that's it, that's me.
- You don't, you really don't know what's in here?
- [Able] No, I said I don't know.
- And you didn't steal it.
- [Able] Look I don't have to explain myself to you okay.
- I'm sorry I wasn't,
I wasn't trying to put you on the spot.
- [Able] Oh really.
(laughing)
- No, I swear.
I'm just, I'm just, I'm tired.
- Let's not forget who's in control here right, remember.
- Sorry.
I'm sorry.
- Look, I didn't steal it exactly, it's just not mine.
- Are you, are you in trouble?
Okay.
Am I in trouble?
- No, I don't know, I don't think so.
- Oh. - Fuck!
No more questions okay, can you just for minute.
- Why not give it to whoever you're suppose to give it to
and then you'll be out of trouble.
- I said no more questions.
- If you don't know what it is and somebody else needs it
why not either figure out how fucked you are or--
- You have no idea how this works.
- Give it back to whose ever it is.
- You have no idea what this is or how I got here.
So if you don't know then all you have to go on
is what I know, which is very, very fucking little.
Who, who I should-- - I'm just trying--
- You can't help, okay.
So just stick to your pretty pictures and shit.
I'm handling, I'm.
I don't even know what I'm looking at everyday,
walls of code, the goddamn matrix rolling by
and I tell it where to go
and then someone else takes it to the next stop
and then someone else and then someone else
and then on another stop, another stop.
I honestly don't even know if it ever actually stops,
I'm a goddamn, I'm on track (mumbles)
on a road that goes around the world.
Emails about employees, coordinates to a village in Ukraine,
who knows anywhere, anything, anytime,
any problem, any solution.
- Ukraine. - Anything.
Yeah, Ukraine, South Sudan, Lebanon, Pakistan
on and on, and on, and on.
I'm a goddamn desk jockey, I'm a itty bitty cog
in the biggest wheel on the planet.
I'm the lowest man on the totem pole
in a company that fixes...
and then one day out of clear blue this, why?
Why?
- I don't know.
- Maybe I saw something that no one was supposed to see.
A lot of high-up problems come through my eyes,
something slipped by maybe, I don't know, I don't know.
Maybe something worth making me go away I don't know.
I didn't tell you anything
and the only people that do know
they're out there looking for me.
So what do I tell them in the meantime, huh?
Oh hey sorry I didn't hand over the, whatever this is.
- Isn't that what you can-- - No.
What are you fucking kidding, no, what, no!
No oh my God.
What are doing?
She doesn't, she doesn't know what she, Jesus Christ,
fuck, she's not even fucking listen to what you're saying.
She doesn't listening, she's not listening,
nobody ever fucking listen.
They don't listen, they don't listen.
You're fucked. - Hey, come on.
- [Able] You're fucked, you're fucked.
- I'm not trying to. - You're fucked,
you're fucked, you're fucked, you're fucked.
- Oh my God - You're
fucked, you're fucked.
- Hey wait, you're okay.
- You're fucked, you're fucked.
You're fucked, you're fucked. - I wasn't.
Oh, my God.
- You're fucked, you're fucked,
you're fucked, you're fucked. - You're okay.
- You're fucked, you're fucked.
- Stop it. - You're fucked,
you're fucked, you're fucked. - Stop it.
Stop it. - You're fucked.
- What the fuck you do that for man?
Fuck Jesus Christ.
You're gonna have slide your weapon out buddy.
Come on.
You can do it, come on buddy.
Come on.
Fuck this shit.
(gun bangs)
(groaning)
God you cocksucker!
Oh fuck, son of a,
why the fuck did you?
Fuck you all right.
(gun bangs)
Fuck, goddammit.
- Okay.
(gun bangs)
- You just dropped.
I just, I moved you here to the couch.
It's okay.
You're okay.
You're okay, I didn't do anything,
I didn't call anybody I swear to God I just,
you blacked out and moved you,
and checked your head, and moved you here, that's it.
I fucking swear that's it.
- Did I blackout?
- I didn't, I don't, I don't know.
- Tell me exactly what happened.
- I don't know you just dropped.
You just dropped.
- Did I day anything?
- No, fuck.
- Why didn't you take the gun?
- I don't know, I didn't, fuck.
Fuck this, fuck this, fuck this.
It was like a seizure or something
and I, I almost took you to the hospital.
- I'm glad you didn't.
- The bag vibrated.
- What?
- The thing, the case while you were, it buzzed,
it vibrated, I didn't look.
I just moved you to the couch.
- I think it needs a password.
- You don't know it.
Is there a call?
- [Able] It's unknown.
- What was that?
- Someone's trying to find me I guess.
- No, not that.
- I have sometimes, a couple times a year
these episodes like if I...
my eyes, I can't see anything,
they're all blurry.
I thought I had a chance but I'm just living
in a fucking fuckin' fancy.
Stuck...
and I just can't wake up.
I thought we had everything
but I couldn't keep shit together.
I fucked it all up.
And I pushed her away.
I'm just didn't actually think she would go.
I thought I could be who I wanted to be.
My fucking head.
I'd go back if I could.
The only thing worse than not living your dreams
being stuck halfway.
(mumbles) I thought I'd say fuck you
to her and everybody else.
I hope it's over soon.
It's hard knowing what you want.
- Yeah.
- You want me to kidnap that Dave guy?
(laughing)
(phone buzzing)
Hello.
- Are you safe?
- Yeah.
- You, I'm glad you picked up.
You have the bag with you then.
- Yeah, it's here, yeah.
Who is this?
- Able, we need to end this as amicably as possible.
We have some folks out there looking for you.
Now it makes the most sense at this point
for you to just come in.
- It doesn't seem safe.
- Please take this kindly,
you've caused a lot of trouble.
We need to clean this up sweetie.
- I just, I just wanna leave the bag somewhere.
I can tell you where it is and go away.
- With no money, no things, you can't go home,
you'll be picked up at the airport.
- How do I know I'll be okay?
- You'll be safer if you comply.
- [Able] This wasn't my fault.
- [Evelyn] We know that.
Where are you?
We can come to you.
- [Able] No, I've got, I have someone with me.
- Office personnel?
- No. - Do they know anything?
Did you tell them anything?
- No. - Able.
- Nothing I didn't, I didn't say anything.
- And they're safe.
- Yeah, we're okay.
- Okay, I'll send you a message in five minutes.
- [Able] Will you be there?
- You'll be fine, my people are perfectly capable.
- I want-- - You're not
in a bargaining position Able.
Five minutes, are you mobile?
- Yeah, I can be, yeah.
- Five minutes. - I can't unlock the phone.
- Can you see the texts on the front screen?
- Yeah probably, yeah.
- Five minutes.
Motherfucker yes!
Oh eat my ass Able James!
Fucking Fred!
Fucking everybody, fuck you!
- We're not gonna have time to kill your boss.
- It's cool.
- God.
Still got it.
You still got it.
- [Angela] Yeah well you can't fuckin' see.
- [Able] No, it's getting better.
This is some serious shit.
- [Angela] You're not taking my car.
- Hey whoa, whoa, hold on, take it easy buster.
Twice in one day. - Fuck off Jeff!
- Hey dude I was just trying, what the fuck?
- [Angela] Shut the fuck up.
Can you do that for me.
- Yeah. - Can you shut the fuck
up for me Jeff?
Don't fucking speak.
Don't ever fucking speak, nod.
You come near my door I fuck you up, nod.
Let it go dude, fuck off, and let it go.
- What a dick.
- [Sydney] Made it this way
whether you like it or you hate it that's what you get.
You don't get to choose.
So take what-- - My friends the
long winter's night is over and springtime is here.
♪ O say can you see ♪
♪ By the dawn's early light ♪
♪ What so proudly we hailed at the twilight's ♪
- [Man] Now get off your phones, get of your TVs,
I'm telling you, get off Facebook, take your masks off.
- The state gives us our rights.
- The whole park. - We are given.
- Bullshit. - Our rights
are given us at birth by God.
- [Man] Stop blaming everyone else for your problems
and take a real good look in your own heart.
For once just look up, look up for guidance.
- [Man] And I'm just one person, one person,
you know and I made a shield, I took a stick,
throw my gas mask on and my helmet
and I went in there and I cracked the skulls
of some commies that we're attacking us.
And now today we're all here together
standing up for liberty and freedom.
- [Man] What do we stand for?
- [Group] Freedom!
- [Man] Stop looking at the government
and for once get down on your knees
and pray to God and ask God for help.
I'm telling ya.
- [Man] We are here today guys--
- Do not (mumbles) government. - For free speech.
♪ O say does that star-spangled banner yet ♪
And the darkness is slowly coming in
from the East Coast, the West Coast,
and it's squeezing it's way on.
And that republic that they gave is to stay free.
- [Man] God bless you.
♪ Home of the brave ♪
And may God bless the United States of America.
- [Man] You have to be willing to bleed.
(group chattering)
And it's okay to be a beautiful Christian too.
(group cheering)
- [Buck] Evelyn, you look lovely.
- Thank you sir.
- What can you tell me?
- Well it's not ideal, we seem to have,
things will improve within in the next couple of hours
I just need to hear from a few of my associates
before we know when you're in the clear.
- Am I fucked Evelyn?
- I'm not sure it's-- - If you keep stuttering
and fumbling through every fucking word
I'm going to pull them out of your throat.
Am I fucked?
- I don't know yet sir.
Once we can-- - We did Evelyn,
I was under the impression that we did,
that's why I sent my personal head of security
to finish this.
I've had it up to here with your apologies
and your niceties and talking down to me
like you were my fucking mother!
- It was human error sir.
- Just, just tell me what happened and where we stand.
I'm trying to stay in control
but you're making it exceptionally, exceedingly hard.
- What I'm trying to do is keep
at the very least six degrees of separation
between you and the nuances of this.
- This is being exasperated,
this could of been swept under the rug a week ago
and I could have had my property back,
oh hell a month ago had we just--
- Followed your plans sir.
- Excuse me.
- This matter ran the risk of blowing completely
out of control into an absolute shit storm sir.
Now we're dealing with it accordingly.
- Don't you dare talk down to me you fucking child.
I have been in this racket 45 years,
started when you were a fuckin' tadpole
in your daddy's prunes
and don't think you have the right or privilege
of speaking to me, me as an equal.
I wrote you a check, I pay your bills,
I pay your peoples bills,
I pay for your doggie daycare
and your mannish apartment in the hills
so you can mitigate human fucking error.
And don't you think for one second
that you are remotely in charge, do you understand me?
- Neither are you sir.
- Get out of my fucking' office.
- Politicians are petty sir.
You're angry right now, you should be
but when this is all done
you're worship the ground I walk on.
Then you'll give me a pitch perfect referral
to the next petty entitled prick
who doesn't understand
when you leave personal and sensitive property
somewhere you aren't suppose to
and the wrong people find it
solutions are very complex and expensive.
Or maybe he'll tow that line of recreation like you seem to.
If I were you sir, I'd start asking
what you need to do from here on out.
Do you understand?
- Good speech.
- Control your dick.
(dramatic music)
- [Sydney] 'Cause if we did better than all these people
that have these dirty energy job.
- And they got one of those big buckets
on a trailer, oh my God.
- [Sydney] Their families depend on them,
their communities depends on them and we depend on the.
- He died but.
- [Sydney] Doing those things so that we can continue
to drive our cars and heat our homes and use the fuels.
Because that's the way the system is set up.
If we look at our small communities they are suffering
and the people that live there
have no other way to make sure that their family is feed,
to make sure that they have a house to live in
and what's happening is their communities are collapsing.
- What do we do?
- [Sydney] Ghost town because jobs are disappearing.
- Oh thank God, come on out.
- Want me to get out?
Are you okay?
- [Sydney] We're all gonna die.
(mumbles) and making sure--
- Hey, I.
- Jesus Christ.
- You'll be fine.
- Is someone with you?
- Yes.
- Who? - I'm--
- Who? - He's here,
the guy you're here for, in the car.
- You a friend?
- No, no, I mean, I mean...
no.
- Okay, so he's in the car then.
- Yeah.
- Say again. - Yeah.
- [Ed] So all right just bring him on out okay.
- Yeah.
Come on it's okay, come on.
- [Ed] You armed?
Are you armed?
- He's coming.
Come on it's okay.
- I can't. - Are you armed?
He's gotta go, come on.
- Yes, you can. - It's not right.
- Stop it.
Stop it.
Stop it, put it down.
(gun bangs)
- [Sydney] You think you know.
- Come on, stop it.
- I can't. - Stop it.
Put it down.
- Are you armed? - He's coming.
- Put it down.
It's okay. - I can't.
- [Angela] Stop it.
Stop it.
Put it down.
It's okay.
- [Sydney] Earth because if the earth is too screwed up
that we're not gonna be able to live on it,
if we can't live on it what's the point of earth, right.
- Put it down.
We're not armed.
- Okay.
Come on over.
Thank you.
Yeah, yeah, yeah, no, we're all locked in here.
Right, be there shortly.
In 25, 30 minutes, well do.
Can I?
Angela.
- Yeah.
- Thank you so much for bringing him in.
Sorry about this whole thing.
Did he hurt you at all?
- No, no of course not.
- He's gun was empty I figured.
Did he tell you anything?
- No, no, what's gonna happen to him?
- Shit, I don't know.
You know we bring him in and then it's out of our hands.
Hell, you know these things happen every once in a while,
it just, oh, you got some peanuts here.
Do you mind?
- Seriously?
- Yeah, I mean if you don't mind.
- Yeah, I mean sure I guess that's fine.
- He tell you where he works.
- No, I don't know anything, all right.
- Yeah, no, yeah, fine.
You sure?
- Yes, I'm sure.
Okay, he didn't hurt anybody.
- Now.
- He's not gonna get like, he didn't hurt anyone.
(gun bangs)
(groaning)
- You cocksucker, ow, fuck, son of a,
why the fuck did you?
Fuck you all right.
(gun bangs)
Fuck goddammit.
- Okay.
(gun bangs)
What's gonna happen to me?
- Anyways, hey you're free to go home.
I, don't tell anybody about this okay,
this address or any of this stuff.
We're gonna have somebody watch ya, you should know that.
So don't tell anybody.
Hey and thanks for this.
Yes.
You have a good night.
- Hey, that's it, that's all.
- There's a number on there,
anything comes up feel free to use it.
- Wait you're not, you're not gonna like question me
or send me to Gitmo or try to kill me or something.
- Gitmo, no.
In Cuba, Cuba right?
Gitmo.
(laughing)
That's funny.
- Hey.
- Yeah.
- Is he gonna be okay?
- Probably.
- You know he's not well, he's like ill, right,
he's mentally ill.
- Not my problem, not my job, not my problem.
(gentle music)
- [Sydney] But you never get to know them
because you don't have any reason to interact with them
and if you don't have a reason to interact with them
you don't bother going into their neighborhoods to find them
you just don't go there, you never see them,
and you don't interact with them.
Is that your fault?
Are you a racist or you know I don't know,
probably not but you're not gonna seek out
something that's not like you
if everything's working out fine
and that's a problem.
Because what ends up happening
is you go through a neighborhood that's not like yours
and all you wanna do is go through it.
You don't stop and become a part of another community.
If you actually took a red pen
and drew on a map all the places you go
from your house to wherever you go
you're gonna see the same repeated patterns over and over.
I'll bet you anything almost every line you make
is gonna be a repeatable line that was there before
because we have our areas.
And I think we gotta stop having areas.
(gentle music)
(dramatic music)
- [Man] My friends I coming to you again
because I made you a pledge
and I want you know that the job isn't finished.
I'd like to tell you America is second to none.
My fellow citizens it's important.
(phone buzzing)
(upbeat music)
- [Sydney] Black and blue, it's KYXK's 48 hour marathon.
"Counterintelligence",
written, produced, and directed by Christopher Sakr.
Also produced by Michael Elliott and Andrea Tolbert.
Shot by Michael Elliot, edited by Touma Rask.
Location sound mix by Tim Kahn,
art direction by Andrea Tolbert.
Music by Noah Simons.
Casting by Rachel Meyer.
Presented by Shohawk media
in association with CMP.
Starring Sharae Foxie as Angela,
Brian Koch as Able,
Marcella Laasch as Evelyn,
J.W. Crawford as Driver
Andy Sims as Ed,
Pen Corbin as Jay,
Brian Sutherland as Fred,
Jerry Basham as Phil,
Joesph Costa as Senator Buck Henri,
Adam Elliott Davis as Jeff,
Michael Hall as Dave,
Rich Sadle as the Homeless Man,
Mamie Wilhem as Miss America,
and Anthony Redelsperger as your host Syndey Beale.
Location scouted by Rachel Meyer,
associate producer Chelsey Rae,
dialogue mixed by Jake Newbcome,
sound mixed by Micheal Elliot,
sound designer, VFX and color by Touma Rask.
KYXK want's to give special shout out's
to Ben Bach, Marc Steele, Robin Nodland,
Ken and Kathy Rask, Amy Elliot, Jeff Sochol,
Gigantic Brewing, Andrea Selkregg, David Pennington,
Rachel Monfils, Ben Olsen, Mitchel Zuckoff.
SAG-AFTRA motion picture copyright
"CounterIntelligence" Motion Picture LLC,
all rights reserved.
Thanks for tuning in to KYXK's 48 marathon
on counter intelligence.
Don't forget to hear.
And we'll see you soon.